VIEW IN MY ROOM
Serbia
Painting, Acrylic on Wood
Size: 11.8 W x 15.7 H x 1.6 D in
Ships in a Box
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Artist featured in a collection
During the day, the roe deer stay in forests and scrub. In the dusky morning and evening hours, they dare to move into more open grassland to graze. Especially in winter, roe deer like to eat the branches and bark of the trees. It can leave the trees with ripped and torn bark.Every year, the roe buck loses its antlers and it grows new ones. When the antlers grow, they are covered with a layer of skin called ‘velvet’, which the buck scrapes off by rubbing or sweeping the antlers on branches and tree trunks. This makes very distinctive marks in the wood. Perhaps you might be lucky enough to find some old antlers in the woods. If you look very carefully, perhaps you can see and follow the deer’s path or track through the forest.
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:11.8 W x 15.7 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Serbia.
Customs:Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.
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Irena Bijelich Gorenjak (1972, Belgrade, Serbia) makes paintings and mixed media artworks.By applying abstraction, Bijelich tries to approach a wide scale of subjects in a multi-layered way by using a large number of materials sand, stone, plaster, zeolite, earth, pigment, paper, canvas, acrylic, oil...She likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work. Her paintings directly respond to the surrounding environment and uses experiences from the artist as a starting point.Often these are framed instances that would go unnoticed in their original context like hole, crater, circle, cracks, cleft...By exploring the concept of landscape in a nostalgic way, she creates intense personal moments masterfully created by means of rules and omissions, acceptance and refusal, luring the viewer round and round in circles. Her works establish a link between the landscape’s reality and that imagined by its conceiver.These works focus on concrete questions that determine our existence.With a conceptual approach, she investigates the dynamics of landscape, including the manipulation of its effects and the limits of spectacle based on our assumptions of what landscape means to us.Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination. Her works doesn’t reference recognisable form.The results are deconstructed to the extent that meaning is shifted and possible interpretation becomes multifaceted.By rejecting an objective truth and global cultural narratives, she creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position. Her work urge us to renegotiate painting as being part of a reactive or – at times – autistic medium, commenting on oppressing themes in our contemporary society.
Artist featured by Saatchi Art in a collection
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