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Frammento/Family House Drawing

Marilina Marchica

Italy

Drawing, Charcoal on Paper

Size: 29.5 W x 43.3 H x 0.4 D in

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About The Artwork

Frammento Casa di Famiglia Dimensions: Artwork: 70x110 cm Frame: 80x120 cm Description: This is an original, non-reproducible piece by Marilina Marchica. The essence of inhabiting is about the self within a space, as well as living in and shaping that space while being shaped by it. To inhabit means to give form to spaces, just as we take form from them. These traces emerge both obviously and physically through decontextualized fragments that dramatically amplify their role, and in a more hidden dimension, aimed at evoking emotions related to a succession of events. In this exploration, which brings a metaphysics of presence, the figure loses its sovereignty in favor of continuous processuality where the fragment is the only possible form of writing. Fracture represents a zone of instability and turbulence where one can experience fibrillation; likewise, collapse, ruin, and downfall become decisive elements that ensure a future for the fragment. As the Persian poet Rumi says, "If the form disappears, its root is eternal," suggesting that the goal of this research is not the form itself but the reflection it evokes or surrounds. Marchica's investigation focuses on the value of the fragment, manifesting in cycles of works where the dialectic between form and matter is entrusted to residual and discarded building materials, tears, and stratifications. Starting from these traces, she rereads through drawing the remnants of a place now changed, the remains of an ephemeral geography.

Details & Dimensions

Drawing:Charcoal on Paper

Original:One-of-a-kind Artwork

Size:29.5 W x 43.3 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Painting at the Academy of Fine Arts in Bologna in 2008. Her research is oriented towards a reflection on the theme of subtraction and on the aesthetics of the sign at the limit of abstraction thanks to an investigation of architecture and the wall as an internal / external diaphragm. The dividing surface, in particular, "the wall or border" takes on a marked symbolic value in relation to collapses and demolitions as a metaphor for a universal and existential dimension. Her works are present in many private and public Contemporary Art Collections. ...My painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, through the stripping, reduction and subtraction of figurative elements. "my landscapes are" boxes "of memories, day after day they welcome events and individuals who leave their marks and change their boundaries and appearance

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