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1

View In My Room

good times Print

Eberhard Marx

Germany

Open Edition Prints Available:
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16 x 20 in ($120)

16 x 20 in ($120)

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104 Views

1

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This work was created in memory of my trips to South Korea. It represents the landscape, buildings and objects typical of this region. Again, I leave the viewer complete freedom to form their own thoughts. It is painted with oil paint on canvas on stretcher.

Year Created:

2012

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

German painter Eberhard Marx describes his style as magical realism, hinting at the drastic shifts in style and imagery he often accomplishes within his canvases. He cites the influence of German Romantics, though his incorporation of mythical figures and surreal landscapes also evokes Symbolism. The fogs of memory and history hang over many of his landscapes and structures, thickening in places and dissipating elsewhere to reveal areas of saturated color and sharp detail. Each grand scale vista provokes the viewer’s memory and imagination by melding historical references and fairy tale-like architecture. Appropriately, Marx’s brushwork varies by subject and level of precision, with landmasses and skies partly obscured by clouds portrayed with more gestural strokes, while human or animal figures, as well as ornate architectural forms, are executed with superb finesse. This combination of styles and imageries rewards both close and distant viewing. It also parallels the temporal shifts in subject that Marx pulls off, painting historical and imaginary landscapes with an unmistakably contemporary sensitivity. Agora Gallery New York 2011

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