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Switzerland
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Fine Art Paper
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10 x 10 in ($40)
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White ($80)
During a trip in Bolivia, I met this big dragonfly at the edge of the lake Titicaca. Of course, this one did not have a lizard on its head. There are also many lizards along the lake, feeding on insects like dragonflies. In this painting, I wanted to reverse the role that man often attributes to the prey and the predator. It is sometimes necessary to see the kingdom of life differently, because finally all the survival of the predator rests on the prey. Durant un voyage en Bolivie, j'ai rencontré cette grosse libellule au bord du lac Titicaca. Bien sûr, celle-ci n'était pas affublée d'un lézard sur la tête. Des lézards, on en trouve beaucoup aussi au bord du lac, se nourrissant d'insectes comme des libellules. Dans cette peinture, j'ai voulu inversé le rôle que l'homme attribue souvent à la proie et au prédateur. Il faut parfois voir autrement le règne de la vie, car finalement toute la survie du prédateur repose sur la proie.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Switzerland
Art in general has always had a prominent place in my life. I have been drawing, sculpting and playing music since my childhood. I have always had a passion for classical realist painting, especially the clair obscur style, and since 2013 I have been practicing realistic acrylic painting on canvas as an extra-professional activity. My paintings are inspired by photos taken during my travels around the world. My main aspirations can be summed up as follows: to capture a moment of life that has touched me and to convey more or less directly a message, a symbolism, which can sometimes lead to scenes that are part of the imagination. Most of the titles of my works are linked to the message that they transcribe. This message, this meaning of the work can be directly visible on it, or, and this is the particularity of my works, it is literally hidden. I use a UV paint that is not visible in natural light, which I finally apply to my canvas. The hidden meaning can be in written or pictorial form.
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