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The Fortress Print

Paul De Haan

Italy

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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10 x 10 in ($40)

10 x 10 in ($40)

Add a Frame

White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$120

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Oil on canvas painting. More than 50 hours of work

Year Created:

2014

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Size with Frame:

15.25 W x 15.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Paul De Haan is my art name, my real name is Stefano Agostini I was born in Rome ( Italy ) on May 27th 1966. I'm a self-taught painter all time "obsessed" of the drawing and painting. After a ten years period of moderate activity, in 2006 I resumed to work at good rhythm. Actually I'm a member of Artistic and Cultural Club "Lorenzo Viani" in Rome. I sign my works with the dutch alias "Paul De Haan". In 2006 I resumed the activity ( after a period of forcibly limited activity ), initially with masterpiece copy, for technical and stylistic exercise and for studying, and then with original works I'm very bound to figurative gender, but don't exclude prior neither technique nor gender on condition that the result correspond as well as possible to the initial idea. Painting for me is a most high form of communication and the picture have to transfer emotions and sensation to the observer: if looking, for example, at a painted apple, we could see only the apple and not the energy spent from artist, the painter could be a good workman but not an Artist. . I don't believe could be innovative regardless of past and don't believe in a self-purpose estro or art. In my way I wouldn't reach modernity or contemporary, instead the Universality, meaning with this term "to be actual always" peculiarity of almost of greatest artists of past. I see the artist like a kaleidoscope: a tube that is featureless in appearance, but if looked backlight gives a world of colours, patterns and emotions. There's a close-loop where the reality enter by eyes and other sense in the artist and after a slow emotional and psychical digestion , this reality, come out from the hands and, magically comes back modified and understandable to the eyes. I taken part in many exhibition and competition in and out Italy, with good receptions. My works was exposed in many Art Galleries of Rome, Milan, Genoa, Bergamo and Catania and some works are in private collections. The most recent exhibitions which I attended were: the Chamber of Deputies ( Italian Parliament ) and the Civic Museum "U.Mastroianni" of Marino (Rome).

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