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“Sunlight Off Lower Glencoe Rd” Print

Steven Hagy

United States

Open Edition Prints Available:

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10 x 8 in ($45)

15 x 12 in ($75)

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$45

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“Sunlight Off Lower Glencoe Rd”

Steven Hagy

$45

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS

“Sunlight Off Lower Glencoe Rd” oil on canvas 14x18

Year Created:

2021

Subject:

Landscape

Styles:

Neo-impressionism

Post-impressionism

Impressionism

Contemporary

Expressionism

Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 8 H x 0.1 D in

Ready to Hang:

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

ABOUT THE ARTWORK

“Sunlight Off Lower Glencoe Rd” oil on canvas 14x18

Year Created:

2021

Subject:

Landscape

Styles:

Neo-impressionism

Post-impressionism

Impressionism

Contemporary

Expressionism

DETAILS AND DIMENSIONS

Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 8 H x 0.1 D in

Ready to Hang:

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

SHIPPING AND RETURNS

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Steven Hagy

United States

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I went to Penn State located in the middle of Pa. So if you didn't like landscapes going in you learned to like them. Before that I grew up in and around Baltimore hence my work dealing social observations. I admire the work of the social realists in particular Philip Evergood. I studied with Enrique Montenegro learning a great deal about color and brush work. I also studied with Richard Meyhew learning what he liked to call the "Color grid". I also love the work of Maurice de Vlaminck and Oskar Kokoschka.