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Canvas
12 x 16 in ($181)
White Canvas
White ($135)
317 Views
36
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Through an exhaustive investigation, with consumers of Peyote, including the Shamans; I conclude that the experience has different stages and intensities in terms of the effects, because each individual responds differently to these effects, but nevertheless, there is a common denominator among all; which is the hallucination stage, which is essentially one of the preponderant effects of Peyote; and it is in the trance of these hallucinations that the individual can see, hear and interact with a distorted reality, which can be both exciting and disturbing and it is in the middle of this experience that the "Close ups" arise. This piece belongs to a series of original abstractions taken from existing original circular pieces. In this particular case; in addition to the subject matter related to Huichol art and the application of geometry; I focused on decontextualizing the original pie that by abstracting it, and by choosing the ideal composition applied on a rectangular panel, I achieved a piece with an entire different identity from the original one. As the original "Peyote Core", "this close up" is also an original mixed media painting made on canvas. I am inspired by the culture of the Huichol people, an indigenous population located in the center of Mexico, mainly in the states of Jalisco and Nayarit. Among many things, the Huicholes are characterized for the use and consumption of Peyote for religious purposes. Happy World Series, deals with the morphology and architecture of the peyote plant, as well as for its effects. At the same time, I re interpreted the aesthetics of the Huichol art, as the result of the effects of peyote. As in all I do; Geometry is still present in my work. Happy World comprises of Painting on latex, canvas, MDF board and Digital; also various types of sculptures, as well as installations. Peyote Core no.6 Mixed media on canvas 175 cm x 130 cm x 5 cm. ***This piece is painted using natural pigments from indigenous communities. Note: The colors in the images shown may vary depending on the resolution of the screen of the device from which they are viewed.
2019
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
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My approach to the arts began at the age of six with the study of piano and fine arts. As a teenager I got involved in theater and in that context I discovered scenography and stage production which ended up shaping the worldview of my “artist self.” I studied architecture and for a short time I worked as a set designer and later I found my passion for cultural management, an area in which I discovered my vocation as an administrator, maker, creator, executor, and organizer, which would ultimately serve as a foundation for structuring my career as artist. After years of resistance I returned to the plastic arts and immersed myself in the study of the popular arts of Mexico as well as the analysis of the uses and customs of various indigenous peoples, focusing my interest on the visual aesthetics of their crafts, clothing, as well as its spiritual worldview and its symbolism at the same time that my passion for modern architecture and industrial, textile, furniture and automotive design gave life to a peculiar way of seeing art. My work is the reflection of all the above, it is the encounter of possibilities, the consequence of my desire to amalgamate concepts and styles that are often antagonistic to each other and of my interest in everything that does not have to be explained but rather felt, it is the encounter of the indigenous with the modern, the ancestral and the present, the abstract imagination with spatial formality, they are the celebration of my own meaning of being myself.
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