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Fish 15 Print

Michele Dolz

Italy

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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12 x 9 in ($40)

12 x 9 in ($40)

20 x 15 in ($70)

Add a Frame

White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$120

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Fish 15

Michele Dolz

$120

399 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Do you recognize wich kind of fish I am? It doesn't matter.

Year Created:

2016

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 9 H x 0.1 D in

Size with Frame:

17.25 W x 14.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I was born in Castellon, Spain, in 1954 and live in Italy since 1976. Art historian, I'm a professor at the University of the Holy Cross in Rome. As an artist, I tried to develop a contemplative painting through a conceptual approach to color and shape. Currently I life and work in Milan. *** I grew up with a pencil in hand. I drew everything, copied everything. I learned how to make papier-mâché and shaped my own puppets. In college I met artsy and protesters along with some true artist. I did not attend the Art School. Two university degrees and a doctorate in History of Art could be enough. However I was apprenticed to the Spanish painter Salvador Perez, who taught me a painting on the border with lyric poetry. The landscape has been my obsession for years. I defined myself contemplative of nature and outside that vision everything seemed to me bizarre and rarefied. One day I discovered that I was actually exploring the human soul. The landscape had become a symbolic code for what in truth I investigated. So I raised my moorings and built a poetic late pop landscapes with large fields of bright colors. The exhibition of 1999 at the Museum of St. Ambrose in Milan was a great success, but I became paralyzed. Disgusted by my own work I spent nine years without painting. Or almost. Only thanks to the support of my friend artist Davide Coltro I recovered slowly. Today I continue to delve into the heart of man by coding each time new symbols. And I know that the painting will never die because manually trace the signs is natural to man action.

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