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14 x 21 in ($129)
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ABOUT THE ARTWORK
Highly Motivated This oil painting ‘Art Deco Nude – 14-08-22’ is based on my graphite pencil drawing ‘Art Deco Nude – 05-08-22’. I liked that one and saw the potential for an oil. So I postponed an imminent project (Homage to Alma Tadema). For that one I already had a preparatory photo shoot with my model. But first things first. When it’s cooking perfectly you have to serve quickly. The same vibe I got discovering the potential of new drawing materials I had creating this oil. Therefor no delay and lo and behold, I cut to the chase like a knife through butter. Solutions for Hardnesses Before you admire my self-proclaimed pinpoint accuracy I have to state that I had to make some amendments. I found the linear structures extrapolated into the negative space around the female form a bit too harsh. Strange how straight contour delineations can create the illusion of soft, roundish forms. I had to abandon these sharp chiaroscuro planes around the body. The solution was to create some blocks of red and green planes floating freely around the female shape. I kept the triangle stemming from her back though, as a reference to the drawing. However, I did tune it down from a tonal point of view.
DETAILS AND DIMENSIONS
Print:
Giclee on Canvas
Size:
14 W x 21 H x 1.25 D in
Size with Frame:
15.75 W x 22.75 H x 1.25 D in
Frame:
White
Canvas Wrap:
Black Canvas
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Corné Akkers
Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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