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View In My Room

'Overlap (Rome)' Print

Jonathan Peter Smith

United Kingdom

Open Edition Prints Available:
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16 x 20 in ($120)

16 x 20 in ($120)

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White ($160)

White ($160)

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$280

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Inspired by the colours, heat, history, weathered walls and ruins in Rome. Covid radically altered the life I had & how I responded to places/their histories & reality as being in a state of flux-reflected in my grids at this time - hence why the grid here is flowing, wobbly and unstable. ...

Year Created:

2022

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Size with Frame:

17.75 W x 21.75 H x 1.25 D in

Ready to Hang:

Yes

Frame:

White

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

Statement Tutored by the highly acclaimed Stewart Geddes and Stass Paraskos. My atmospheric abstractions portray experiences in places (landscapes and interiors) in an aesthetic way. Experiences in Cyprus, Rome, Scottish Highlands, Wales, Worthing Coast (where I live) and my home interior have provided fantastic inspiration. Urban and natural places both entice me. I'm visually captivated by nature, urban/ natural colours, ruins, architecture, historical art/ artefacts, graffiti and weathered walls in places. A place's history, weather, atmosphere and my emotions also influence my work. That inspiration from a place, determines specific colours, visual effects, moods, shapes and textures, which I improvise with and enjoy for their own sake. I love paint- layering, exploring textures, excavating, collaging and incising it in my relic/organic-like acrylic works, on thick archival papers. It's a fascinating adventure seeing my paintings evolve an independent life/ history of their own, yet still evoking a sense of place.

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