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United States
Drawing, Ink on Paper
Size: 12 W x 9 H x 0.1 D in
Ships in a Box
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Disclinations are defects in liquid crystalline textures. The molecules that make liquid crystals are generally rigid and asymmetric, with one axis defining a "director" – the direction the molecule "points". These directions can be mapped out in a liquid crystal using optical techniques (for example, ellipsometry). The maps are typically represented as patterns of parallel arrows or dashes that change direction and sometimes lose their orderly parallel direction in areas – called "disclinations". Here circles abstract domains while the background color suggests an abstract field or orientation and chemical and elastic potential energy. Fine line detailed patterns of dashes and arrows indicate the states of imperfections or disclinations. More of an artist's inspiration than a strict technical diagram.
Drawing:Ink on Paper
Original:One-of-a-kind Artwork
Size:12 W x 9 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I am offering a selection of Abstracts and abstracted Science theme work on Saatchi. Please search for me online for my Landscape and Tree of Life bodies of work. I often ask myself whether I'm a physical scientist who also paints, or a painter who has studied a bit too much physics and chemistry. Physics and Chemistry have become a big part of how I model and understand the world. I approach paint texture in terms of it's viscoelastic properties, and color in terms of pigments and their spectra. If you take a cadmium inorganic red and it's organic substitute, gently tweak them so they look almost identical in indirect daylight, will they behave differently in incandescent light? Sunlight? Late afternoon light? (controlled lab light?) Unlike people, fruit, landscapes and other traditional painting subjects, technical ideas and objects don't have an "appearance" in any normal sense of imagery. They're imagined and depicted as visual ideas that guide us through complex phenomena. For example what do like bonds in molecules really look like? Or the quantum not-quite-existence of high vacuum-spawned subatomic particles? The softly dancing dynamic structures in complex fluids? What about "things" that are too small and too delicate for even the best electron microscopes (TEM - SEMs are toys)? I've found that many images scientists create serve as visual similes to data and hypotheses, and as visual metaphors for complex and often highly abstract concepts. These metaphors and their stylized interpretation inspire and guide my "abstract" work.
Artist featured by Saatchi Art in a collection
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