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I was dreaming a lot of pleasant dreams that I couldn't remember. This is so universal in my experience. Everyone knows what it feels like to wake up from a good dream and try to hold on to any little thing from it and failing to do so. It's heartbreaking but also so sweet and difficult to put into words. This was my inspiration. 


I used acrylic, watercolour, and pastel. The most challenging was (and always is) not to overwork the painting but to let it happen, to let it linger in the moment, in the process. In this painting the elements are almost leaving, fading, drifting, and moving off the edge. The shapes have that fleeting dream quality, nothing is solid. There is warmth in the painting because to me that moment of waking up is warm. It took some time to get the tones and opacity of those colours just right. There is an attempt to hold on to something with the solid line but it doesn't quite work as that shape can't catch all the elements. Just like we can't quite grasp onto much once we're out of our dream worlds.

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Lingering Remnants of a Dream Painting

Oksana Berda

Canada

Painting, Acrylic on Paper

Size: 18 W x 24 H x 0.1 D in

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$470

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ABOUT THE ARTWORK

I was dreaming a lot of pleasant dreams that I couldn't remember. This is so universal in my experience. Everyone knows what it feels like to wake up from a good dream and try to hold on to any little thing from it and failing to do so. It's heartbreaking but also so sweet and difficult to put into words. This was my inspiration.  I used acrylic, watercolour, and pastel. The most challenging was (and always is) not to overwork the painting but to let it happen, to let it linger in the moment, in the process. In this painting the elements are almost leaving, fading, drifting, and moving off the edge. The shapes have that fleeting dream quality, nothing is solid. There is warmth in the painting because to me that moment of waking up is warm. It took some time to get the tones and opacity of those colours just right. There is an attempt to hold on to something with the solid line but it doesn't quite work as that shape can't catch all the elements. Just like we can't quite grasp onto much once we're out of our dream worlds.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Paper

Original:

One-of-a-kind Artwork

Size:

18 W x 24 H x 0.1 D in

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Oksana Berda is a contemporary abstract artist working and living in Toronto, CA. She holds a Master of Arts from the University of New Brunswick in Creative Writing, which informs the narrative quality of her work. Her paintings explore interactions between natural elements like stone, sand, water and wood. Gathering details from each landscape, she reassembles them as ghostly washes, braids of graphing pencil, and soft pastel lines which contain the forms that might otherwise stretch out and over the edge of the paper. Berda treats colour as character; in her work forms interact and converse: they are introduced, they marry and separate. The landscapes are actively constructed and deconstructed within the process and by the viewer. The mediums move with precision, yet are free and spontaneous; painting on the threshold of abstraction, Berda’s compositions embody the spirit of jazz music. Oksana Berda crosses paths with those also pursuing something intangible: the softness of her colour palette recalls that of Agnes Martin; her precise use of geometry, Frank Stella; from David Burdeny she inherits a sense of curiosity towards the natural world and shares Andy Goldsworthy’s affection for its textures. Berda is an avid hiker and gets her inspiration from trips to various parks surrounding Toronto and spending time on Lake Ontario.

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