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Rendering. Paintings ©VICTORIA COLT.
Rendering. Paintings ©VICTORIA COLT.
Rendering. Painting ©VICTORIA COLT.
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Charred Painting

VICTORIA COLT

United States

Painting, Acrylic on Canvas

Size: 24 W x 48 H x 0.8 D in

Ships in a Crate

$1,500

Shipping included

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ABOUT THE ARTWORK

All of my COLOR STUDIES, large scale meditative color field paintings, are experiments in color interaction and/or the illusions they create. Each has a painted border to contain effects and prevent wall color interaction. Certificate of Authenticity included. Ready to hang. CHARRED is a tonal, contrast and luminosity study showcasing a matte black color field with a metallic copper accent stripe. It is also my interpretation of colors and textures that evoke a fashionable, high-end whiskey bar.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

24 W x 48 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Currently based in beautiful New York State I am an artist, color consultant, graphic designer, amateur photographer…or in other words, a creative. The medium is ALMOST irrelevant. The subject matter is the driving force. In my case it is color. Color has played a prominent role in my career and has been a professional focus for quite a few years. By fortuitous circumstances I recently stumbled into what has become my passion, painting large scale meditative color studies. While each of my color field paintings are visually minimalistic and created with the impetus to explore the interaction and optical effects of color, they are also an investigation of something deeper. There is an energy, or tension, created from applying uninhibited color that is contained within defined and uniform boxes. This is also an apt analogy as each of us is a vibrant being shining within our own predetermined and often inescapable boundaries. When my paintings are displayed as a collection all follow the same format and align. Yet each piece is unique and contributes its individual beauty to the whole. Upon closer inspection the scale starts to envelop a viewer. Details emerge that went unnoticed at a distance. You begin to see layered colors, brush strokes, texture and color interactions that change with your perspective. Colors, like humans, appear to adjust themselves to whomever they’re with and however they are viewed.

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