Old gold Painting

As an innovative artist, my practice defies the traditional, embracing the floor and solid surfaces as a foundation for my canvases. This method transcends conventional easel use, forging a profound connection with my creations. I navigate around the evolving piece, engaging with it from multiple perspectives, becoming an integral part of each stroke and splatter. This immersive process signifies not just artistic creation but a ritual that blurs the line between the creator and creation. Eschewing standard tools, my studio is an alchemy of unconventional instruments - wooden sticks, kitchen gadgets, and builders' tools become extensions of my artistic intent. My approach to materials is equally unorthodox, integrating plastic film, decorative enamels, and exotic mediums such as glass powder, liquid metal, and automotive paint into my palette. These choices are not mere whimsy but a deliberate challenge to the norms of artistic expression, allowing me to dilute, mix, and manipulate textures and hues in response to the spontaneous flows of inspiration. Inspiration and gravity play pivotal roles in my creative process, guiding the movement and flow of paint in a dance that is both calculated and serendipitous. This partnership with physical forces and unconventional materials unveils new dimensions of artistic possibility, inviting unpredictability and natural order to coalesce on the canvas. Each artwork's journey to completion is a testament to the dynamic interplay of intention, material, and the unseen forces that shape our world. Open to the transformative power of revision, I see each modification not as a setback but as an evolution, ensuring that every piece emerges with a distinct personality. My artistic philosophy champions a relentless dialogue with the work, a commitment to its continuous evolution until it resonates with the vibrancy of life itself, perfectly aligning with my vision