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Mixed media drawing on warm-white paper. Drawn from a life model posing in a frill costume. Slightly inspired by Egon Schiele. (How could it not be ...?). This work is another one in an ongoing series of studies of figurative drawing motivated by the interaction of clothing and the human body. Signature and date (2010) in the lower left corner.

Format: 30.2 x 21.8 cm
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Signature and date in the lower left corner

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Madita in Frills Drawing

Maria Kleinschmidt

Germany

Drawing, Pencil on Paper

Size: 8.6 W x 11.9 H x 0.1 D in

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$480

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130 Views

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Mixed media drawing on warm-white paper. Drawn from a life model posing in a frill costume. Slightly inspired by Egon Schiele. (How could it not be ...?). This work is another one in an ongoing series of studies of figurative drawing motivated by the interaction of clothing and the human body. Signa...

Year Created:

2010

Subject:
Medium:

Drawing, Pencil on Paper

Rarity:

One-of-a-kind Artwork

Size:

8.6 W x 11.9 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

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“My works are drawings or collages or a combination of both. All of them are on paper or cardboard. I like working with rough, found materials, they have a liberating effect on me. I have an extensive collection of old coloured paper which I use more or less like paint: I place patches of paper, draw or paint over it, glue more paper of a different colour on top again and so forth. This technique allows unplanned shaping, meticulous modulation, and endless rearrangement all at the same time. Drawing to me is not so much about the result on paper as it is about the process of close observation. While examining somebody or something, the object often becomes strange and somehow new to me. I like that feeling of entering the unknown, and the attentiveness and concentration that comes with it. I have a certain fascination with faces as well as with the dressed figure and the interaction of clothes and body: shapes, transparency, silhouette, colours. I prefer working with life models rather than photographs which again has to do with the experience of close observation, maybe also with that special silent atmosphere when working with somebody real in front of me.”

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