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Landmarks Drawing

Nigel Bird

United Kingdom

Drawing, Charcoal on Charcoal

Size: 26 W x 26 H x 0.1 D in

Ships in a Tube

This artwork is not for sale.

83 Views

2

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

We lived in the South of France, near to where we lived was the Etang du Montady. This drawing is an interpretation, both simplifying and exaggerating the features of that place.

Year Created:

2018

Subject:
Styles:
Medium:

Drawing, Charcoal on Charcoal

Rarity:

One-of-a-kind Artwork

Size:

26 W x 26 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I am a British Artist based in Dorset, I studied Sculpture and Printmaking at Loughborough College of Art and Design. . Much of my work originates from landscape and the natural environment - the nature and character of a place and its spiritual significance - as well as from the process of making which is informed by the subject. I am particularly interested in questions of scale, space and geological features and I often return to places after periods of time to see whether the weather has affected the appearance of surfaces. I also use the sounds of the natural environment to influence drawings, such as the sound of a flock of birds, the rain or the wind, as well as the geometric systems for dividing land, particularly for vine growing, near where I live in France. Rather than colours, I rely on the innate tones of black pastel, charcoal and Indian ink, all of which can create debris that I sometimes integrate into the composition of the image and contributes to its meaning. My work is often large in scale and reflects the physical exertion of mark-making. I really wish that my work could be as big as the open air. The nature of the stimulus informs the method of making. Basically, my work is really all about the making. That is not enough for lots, they want to see the meaning of life, Marilyn Munroe even!

Artist Recognition
Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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