314 Views
1
View In My Room
Printmaking, Screenprinting on Paper
Size: 32 W x 11 H x 1 D in
Ships in a Crate
314 Views
1
Showed at the The Other Art Fair
Artist featured in a collection
Limited Edition of 22. Printed inner tears are played against actual inner tears. The way that the piece is structured (as a lacy screen over a background negates the reality that the sky is printed on the top page (therefore “foreground”) and the dark clouds printed on the back layer seem to exist in front of the sun and other printed white clouds thereby becoming foreground. I used the same technique (as many previous and subsequent editions) of incorporating the back of a printed page into the image. This expresses the observation that the universe is simultaneous, omnipresent and infinite and that there is no end or back side to the physical world. Dark clouds and a hint of the coming sunset threaten to end what appears to have been a sunny day.
1976
Screenprinting on Paper
1
32 W x 11 H x 1 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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Sandy Bleifer received her B.A. in Fine Arts at U.C.L.A. in 1962 and worked as an Artist in Residence, an art teacher, docent and publisher of curriculum materials in the arts. With the support of “Space”, a seminal Los Angeles gallery under the direction of Edward Den Lau, she exhibited and sold her work from the early ‘70s through 1997. The artist's work is in over 200 private and public collections worldwide. Her personal idiom began with silkscreen, collage and an exploration of of paper: a continuing discovery into its complex nature and its ability to serve as a metaphor for the world around us. Early in her career as an exhibiting artist, social and political activism crept into the mix. Soon she began creating art installations that became a focus and galvanizing force for the reconsideration of major historical events: the Holocaust and the bombing of Hiroshima and Nagasaki. In the mid-1990s she focused her attention on a pivotal moment in Los Angeles’ contemporary history: the revitalization of downtown LA. Now in recent years, she is further imbuing her art with a pro-active agenda using interactive installations, video and community engagement with threads that can be seen in her prior aesthetic concerns – paper as a metaphor for life, environment and the human condition.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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