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Boketto Painting

Lisa Bick

United States

Painting, encaustic on Wood

Size: 16 W x 36 H x 2 D in

Ships in a Box

SOLD
Originally listed for $1,060

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Boketto is a Japanese word that roughly translates to the act of gazing off into the distance while your eyes glaze over. At the time of this work, I was suffering from spinal pain and so I translated the vertebrae to gilt squares which curve along the spine of my life. I look towards the horizon to...

Year Created:

2014

Subject:
Medium:

Painting, encaustic on Wood

Rarity:

One-of-a-kind Artwork

Size:

16 W x 36 H x 2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

I am encaustic artist living and working in Santa Fe, New Mexico. This stark and dramatic landscape feeds my desire to make work that tells my stories-tragic and sweet, beautiful and dark. Sometimes my muse may be as simple as the grays, blacks and whites of a sycamore tree’s bark or the high altitude desert plants on my daily hikes in the Sangre de Cristo mountains. Other times, inspiration is fired by the painfully beautiful setting sun over the Ganges River on a sojourn there. I find emotional solace in poets from Neruda to Auden and their words find their way into my work as well. Because of its organic nature, wax can behave differently on any given day, due to pigments, humidity or the level of the heat source used for fusing. There is lots of scraping and smoothing and fussing with each layer of wax but eventually I begin to apply color and design. I often add my own handmade papers or snippets I’ve gathered on travels around the world. I start with deciding whether the work will be “warm or cool”-in other words, reds and oranges and yellows or blues and greens and violets. It varies with the seasons, I find. The wax tends to find its own way but eventually we meet in the middle and something connects with a line from a poem or from my own emotional well. I might see a shape that reminds me of something and I follow it. Mistakes happen but I often leave them because I am marked with my own mistakes and wounds and all of that has validity. Through my art I can trace my travels, my turning points and my moments of illumination.

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