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View In My Room
Sculpture, Paint on Glass
Size: 14.2 W x 18.9 H x 6.5 D in
Ships in a Box
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SOLD IN FEBRUARY 2018 Name: Box Year: 2015 Series: 4th Number: 2 Pieces: 4 CRITICAL TEXTS “It is in the vision that wait materializes, becomes object: a subjective vision that objectify itself in the work in which are stratifying the dreads, the anguishes, the silences, but also the hopes.” Luca Palermo, SetUp Contemporary Art Fair 2018, Agenzia NFC, Rimini, 2018 “Her boxes, visible in the spaces of the house, were recreating domestic interiors in small- scale. One, for example, was installed on the large black furniture of the corridor; another was up the washing machine, in the bathroom, to show an unusual correlation between the room he represented and the room that exposed it.” Roberta Aureli, «...To be a Flower, is profound / Responsibility». Una riflessione intorno a Secret Garden di Alessandra Calò, Sponge ArteContemporanea, 2017 “Saba Masoumian (...) shows us interiors of an abandoned habitation, in which we recognize the signs of the passing of a time that bring out distant memories, revealing deep drama, violence suffered, dramatic lacerations. Everything seems to speak of a death that has occurred, but also of an irrepressible desire for ransom, of a possible redemption, as if the pain asked to turn into hope.” Andrea Dall’Asta SJ, Metamòrphosis, Saba Masoumian e Amedeo Abello, Iacopo Pasqui, Matilde Piazzi, Silvana Editoriale, Cinisello Balsamo, 2016 “Saba Masoumian opens the lids, takes them apart and shows: the barrier of matter is canceled, the artist wants to tell and does not hide the content but creates it (...) as in a cinematographic set she directs the space, gives shape to the elements that constitute it, realizes the floor and the ceiling and puts in it the objects, symbols of a previous human passage that has been made and that we aren’t permitted to see.” Milena Becci, Saba Masoumian, In-A-Box, Sponge ArteContemporanea, 2016 PARTICIPATIONS Chunk3, with a solo exhibitions, presented by Team Cäef, curated by Claudia Capelli, Centro Arti Multiculturali Etnosociali, Sala Santi Filippo e Giacomo, Brescia, 2017 SOLO EXHIBITIONS Il sogno del corpo, curated by Sara Fontana, Sala Crociera of Centro Civico Culturale and Museo Civico Ernesto e Teresa Della Torre, Treviglio, 2017 In-A-Box, directed by Giovanni Gaggia, curated by Milena Becci, Casa Sponge, Pergola, 2016 MULTI-PERSON EXHIBITIONS Metamòrphosis, Saba Masoumian e i vincitori del Premio Arti Visive San Fedele, directed by Andrea Dall’Asta SJ, curated by Daniele Astrologo Abadal, Galleria San Fedele, Milan, 2016 GROUP EXHIBITIONS Per un’estetica dell’attesa: il limite dell’imminenza, presented by SAACI/Gallery in Saviano, critical text by Luca Palermo, SetUp Contemporary Art Fair, Palazzo Pallavicini, Bologna, 2018 CATALOGUES Saba Masoumian, Il sogno del corpo, Premio Città di Treviglio, Treviglio, 2017 Metamòrphosis, Saba Masoumian e Amedeo Abello, Iacopo Pasqui, Matilde Piazzi, Silvana Editoriale, Cinisello Balsamo, 2016 NOTES Published as part of the two-times awarded Dry Ground Sea video installation of the public collection of Museo Civico Ernesto e Teresa Della Torre in Treviglio on the catalogue Esodo, cammini di liberazione, Fondazione Culturale San Fedele, Milan, 2016 FLIPBOOKS Saba Masoumian, Il sogno del corpo: Un’eco lontana, Saba Masoumian: Premio d’arte Città Di Treviglio e Concorso Giovani Talenti 2016: Esodo, cammini di liberazione: Anniversary Five Years, Exhibitions: Scrapbook:
2015
Paint on Glass
One-of-a-kind Artwork
14.2 W x 18.9 H x 6.5 D in
Not Framed
Not applicable
Ships in a Box
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Italy.
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Born in Tehran in 1982, lives and works in Bologna, and is represented by Azad Art Gallery in Tehran, XVA Gallery in Dubai and Villa Contemporanea in Monza; her works are in the public collections of Museo Civico Ernesto e Teresa Della Torre in Treviglio, Musei Civici di Monza-Casa degli Umiliati in Monza and Collezione Cartiere del Polesine in Adria, and in the private collections of Pietro Luigi Draghi in Venice, Saeb Eigner in London, Mehrdad Mahoutforoush in Tehran and Omid Tehrani in Tehran; was guest at A,M,O Arte Marche Oltre biennial kermesse in Cagli, Fano, Pergola, Pesaro and Senigallia in 2016, and invited at the new residential format of Premio Arti Visive San Fedele of Centro Culturale San Fedele in Milan in 2015 and 2016; was published on Art of the Middle East, Modern and Contemporary Art of the Arab World and Iran wrote by Saeb Eigner with Isabelle Caussé and Christopher Masters foreword by Zaha Hadid for Merrell Publishers of London and New York in 2010, 2012 and 2015’s revised and expanded edition, also in French as L’Art du Moyen-Orient, L’art moderne et contemporain du monde arabe et de l’Iran for Éditions du Toucan of Paris in 2010, and awarded with Premio d’arte Città di Treviglio at Concorso Giovani Talenti in Treviglio and Premio San Fedele at Premio Arti Visive San Fedele in Milan in 2016, and Premio d’Arte Città di Monza at Biennale Giovani Monza in Monza and 4th edition of Premio O.R.A. of Associazione Culturale Radar in San Donà di Piave in 2015.
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