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Graffiti Street Art Original Abstract Wall Art Acrylic Wildstyle Print

William Watkin

United Kingdom

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ABOUT THE ARTWORK

Inspiration Graffiti, Street Art, Wildsyle, Cornbread, Banksy, Daze, Dondi White, Lady Pink, Basquiat, Haring, Fairey, NFTs I was inspired by wildstyle graffiti which for me is the only truly original, new visual of my generation. In particular I am interested in how wildstyle moved towards a free, energetic and exciting abstraction. I decided to take the energy and gestures of wildstyle, remove the letters, and paint the graffiti rather than using spay paint. Emotion There is no doubting the energy and enthusiasm of these pieces. Like hip-hop which inspired them they are free, loose samples of the best 'beats' of other graffiti artists mixed together as a backing track for my own flow. Anyone who sees this piece has to smile and perhaps say a silent WTF! It shouldn't work, but it just does. I think joy is a big part of the paintings as well. They are loud, raucous, rambunctious, like a great party. These are not pieces for the faint-hearted. My wife likes them but says we don't have the 'right house' for them. I get that. They have big personalities and they need strong personalities to own them. They demand attention, spark conversation, maybe even controversy. . Process I wanted a free, painterly line where I could be spontaneous and expressive. I had decided to take the line and use wildstyle graffiti to send it on various journeys. It was the perfect clash of fine art and street art. Painting graffiti, especially wild style, is kinda wrong but so wrong it is right. The looseness of the composition means there is a naive, messy side to some of the markmaking. I wanted to keep this improvisatory feel, but I also wanted the pieces to be sharp. Emulating the incredibly sharp lines of great graffiti. So I tidied the edges up using Posca pens and this gave it a strong graphical element which is where I began, drawing comic books.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

8 W x 10 H x 0.1 D in

Size with Frame:

13.25 W x 15.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

William Watkin, an Oxford/London-based abstract painter, was born in 1970 in Stoke-on-Trent in the North of England. He began painting in his late forties and only began to exhibit and sell his work in the spring of 2023. He is entirely self-taught. William is a well-known philosopher and theorist, and his painting practice carries on some of his innovative ideas around abstraction and perception in a more material, intuitive fashion. William’s work is dominated by bright colours, thick textural paint, intricate process, and abstract forms. His canvases are intense and dynamic explorations of colour, gesture, surface, and texture through the use of stripes. His work is concerned with materiality, process, and thinking abstraction through geometric grids and complex colour combinations. Yet, most of all, they are joyful, detailed, tactile, surprising, multi-hued explosions of paint, kept in check with the strict forms of stripes, crosshatches, lozenges, squares, diagonals, and the occasional circle. “My art reflects the two sides of my personality,” he says. “The logical side, stripes, process, panning, and the spontaneous side, expressiveness, gesture, freedom. That’s why I call my process crosshatch expressionism”. William has been painting for just over half a decade and his work only came to market in May 2023. Since then there has been great demand for his paintings, especially after his first solo show in May 2024 “Scrapes & Stripes” in the new art space “The Old Piggery” (Oxfordshire). During those first 12 months William sold over 300 pieces from tiny, but gorgeous, works on paper, to the new, large-scale crosshatch works which are selling globally as fast as he can make them. His work is already collected internationally in America, and Germany in particular, and is part of the private collection of several notable writers, thinkers and creative practitioners in the UK. People have been particularly fascinated with William’s innovative crosshatch expressionism process. Using scraping techniques, he learnt from watching videos of Gerhard Richter, he uses large paddles to add layers of stripes of paint in various thicknesses and in different directions. Then he uses notched paddles and other tools to scrape off, or cut, stripes of paint to reveal layers below.

Artist Recognition
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