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Hanging on a wall - side view
Close up detail of a drill hole (scorched) relief
Framed and hanging on a wall - front on
A colour photograph of my working notes. This is has been hand signed and taped to the back of the framed work.

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Helium Bloom Painting

Malcolm Koch

Australia

Painting, Oil on Plastic

Size: 42.5 W x 31.1 H x 1.6 D in

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ABOUT THE ARTWORK

‘You may consider this work a ‘wall-hung sculpture’ rather than a painting.’ My curved canvases are worked on as three dimensional objects. However, rather than considering the interplay between solid and space as a sculpturist does, my forethought is to return to the 'flat two dimensional picture plane’. Working in this way creates reciprocal and distinct cavities as one expression. An aesthetic that is only possible through the advent of a curve. So when finally, we do observe it on a two dimensional flattened picture plane (the switch from 3D to 2D), a different aesthetic emerges. Inspired by current scientific understanding of our universe and the way nature itself could be. This work aims to reflect a truth about the human condition — that we are tied to a two dimensional universe yet entangled with all its probabilities in the vastness of infinite space. This particular piece was then mounted onto a gold acrylic-mirror back panel with 12 mm spacers. Enabling the synthetic canvas to appear to float. Also allowing for a rooms light conditions (natural or otherwise) to interact with the relief work and reflect from the mirror throughout the day. Finally finished with a white wooden edge frame. The total size of the piece is included in the above measurement.

DETAILS AND DIMENSIONS
Painting:

Oil on Plastic

Original:

One-of-a-kind Artwork

Size:

42.5 W x 31.1 H x 1.6 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Since 2004, I have been developing the idea that a different kind of aesthetic is created when expressions are deployed on a curved canvas (rather than a flat ‘two dimensional’ plane). The marks created in this way take on the form of the geometric profile. So when they are unraveled and stretched-out to the two dimensional picture plane, the aesthetic emerges. I call this approach Membrane Art. As it is the curved profile of the ‘membrane surfaces’ that underpins the development of each artwork. An aesthetic thought that I continue to evolve.

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