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The series consists of 21 pieces, it didn't have a special purpose only I wanted to document the days, what I spent here, in a kind of visual form.(ART Residency in Skopje) And the process helped me to create a schedule in the studio. I made a little picture every day, that I spent in Skopje. The pictures had only one criteria: each one had to be able to connect to the previous painting. The progress seems like very simple, but I had some difficulties, I could not manage the connection on all hands

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Paper diary/emotional map Painting

Bogi Bíró

Norway

Painting, Gouache on Paper

Size: 8.3 W x 11.4 H x 0.1 D in

Ships in a Crate

SOLD
Originally listed for $210

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The series consists of 21 pieces, it didn't have a special purpose only I wanted to document the days, what I spent here, in a kind of visual form.(ART Residency in Skopje) And the process helped me to create a schedule in the studio. I made a little picture every day, that I spent in Skopje. The pi...

Year Created:

2018

Subject:
Medium:

Painting, Gouache on Paper

Rarity:

One-of-a-kind Artwork

Size:

8.3 W x 11.4 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Hungary.

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I noticed when analyzing the work of a weaver, that the weaving process is similar to the meditative creation-method which I create pictures with. Lines in any length and thickness and rhythm, form a figure initially, but later, concentrating on this act, they becaome shapeless. These paintings, created from the repetitions of tiny lines and by intuitive movements, are made onto a material (canvas) which is also formed by a repetition of a vertical-horizontal relationship. I have become more and more attentive in the base material itself, the usage of it and the method that procreates it. The linings of the weaving -the thread- is a rolled up, spatial line, which -by hiding up and down, occasionally showing itself- , expresses pudency and playfulness, while creating a whole of material, together with the rest of the threads. I began to embrodier into the canvas, weave from plants, plant seeds whose growing, rhytm, cycle made me wondering and contemplating

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