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Painting, Oil on Canvas
Size: 30 W x 24 H x 1.5 D in
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362 Views
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About this body of work, Studio Still Lifes, writer Jen Payne describes: Frank Bruckmann has composed a collection of oil paintings depicting the life in his studio. Increasing the mission of the materials that are foundations to every piece of his artwork, (crimped oil paint tubes, bottles of viscous medium, ancient canvas pliers) they are abruptly shifted to the forefront as the very subject, keenly observed and elevated into objects of art, no longer worthy only to the artist. His brushstrokes, use of color, form and texture are his mechanisms to paint the tools of the art studio, creating a more lush and nearly kinetic subject. Though referred to as a “still life”, they are more about “life” than “still”.
Oil on Canvas
One-of-a-kind Artwork
30 W x 24 H x 1.5 D in
Black
Not applicable
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Frank Bruckmann-artist statement In my late 20’s I discovered painting and enrolled at DuCret School of Art in NJ, and the Art Students League in New York City. I found art was an effective and satisfying way to express myself. Oil painting became my primary medium. I spent nearly a decade between France at the Ecole de Beaux Arts, and in Spain, studying the Masters in the great museums. These informative years solidified my intent to become a full time painter. I usually land on a theme for a new body of work because I want the challenge of painting something complex but then I find I am drawn to the subject matter for more significant reasons. In two bodies of work, Occupational Spirit (2009), and Breaking Bread (2015), I am asserting the importance of human contact…of having a relationship to your family, your friends, your community by sharing a meal, or getting your oil changed or your hair cut from the local tradesmen; as opposed to giving your dollars to the box stores, or chain restaurants. Through these bodies of work, I was challenged technically, and generally happy with the painted results, but the byproduct of provoking some conversation around how we choose to live, which was of interest to many, was a great surprise. My evolution as a painter has resulted from painting almost daily, (with phases of sleep-deprived intensity), from observing other artists’ work, and traveling to landscapes that deserve being preserved. During fair weather I follow the sun and paint when the light is just right. Studio work with live models and varied subject matter keep me busy when winter comes to New England, spending many evenings painting through the night. In the quiet of night I enter a flow of creativity, a state of exhilarating productivity. Painting is the way I interact with the world, to explain who I am; as opposed to using speech or written communication, two methods that I find can be very difficult.
Artist featured by Saatchi Art in a collection
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