136 Views
3
View In My Room
Philip Leister
Fine Art Paper
12 x 6 in ($40)
White ($80)
136 Views
3
Artist featured in a collection
And now I know Spanish Harlem are not just pretty words to say I thought I knew But now I know that rose trees never grow In New York City Until you've seen this trash can dream come true You stand at the edge while people run you through And I thank the Lord There's people out there like you I thank the Lord there's people out there like you While Mona Lisas and Mad Hatters Sons of bankers, sons of lawyers Turn around and say good morning to the night For unless they see the sky But they can't and that is why They know not if it's dark outside or light This Broadway's got It's got a lot of songs to sing If I knew the tunes I might join in I'll go my way alone Grow my own, my own seeds shall be sown, in New York City Subway's no way for a good man to go down Rich man can ride and the hobo he can drown And I thank the Lord for the people I have found I thank the Lord for the people I have found While Mona Lisas and Mad Hatters Sons of bankers, sons of lawyers Turn around and say good morning to the night For unless they see the sky But they can't and that is why They know not if it's dark outside or light And now I know Spanish Harlem are not just pretty words to say I thought I knew But now I know that rose trees never grow In New York City Subway's no way for a good man to go down Rich man can ride and the hobo he can drown And I thank the Lord for the people I have found I thank the Lord for the people I have found While Mona Lisas and Mad Hatters Sons of bankers, sons of lawyers Turn around and say good morning to the night For unless they see the sky But they can't and that is why They know not if it's dark outside or light They know not if it's dark outside or light 'Mona Lisas and Mad Hatters’ by Elton John Songwriters: Bernie Taupin / Elton John "Mona Lisas and Mad Hatters" is a song from the Elton John album Honky Château. The lyrics were written by Bernie Taupin and is his take on New York City after hearing a gun go off near his hotel window during his first visit to the city. The song's lyrics were partly inspired by Ben E. King's "Spanish Harlem," written by Jerry Leiber and Phil Spector, in which he sings "There is a rose in Spanish Harlem." In response to this, Taupin writes, Now I know Spanish Harlem are not just pretty words to say I thought I knew, but now I know that rose trees never grow in New York City. Allmusic critic Stewart Mason noted that the song is "less saccharine than many similar Elton John and Bernie Taupin ballads" and praised the "somewhat uncharacteristic emotional directness" of its lyrics. It was released as the B-side of the "Harmony" U.K. single in 1980. Rolling Stone magazine's Jon Landau praised the song when it was released, writing: "Mona Lisas and Mad Hatters" shows how much John can really do in the space of a single cut. Using minimal instrumentation and singing one of Taupin's most direct lyrics, John effortlessly reveals the myth beneath the myth of "... a rose in Spanish Harlem." He expresses his involvement with the city, his need for its people, and his final desire to be alone through one of his best tunes, simplest arrangements, and most natural vocal performances. Elton John himself called the song "one of my all-time favourites" when introducing it at his 60th-birthday concert in New York's Madison Square Garden. He also delivered a heartfelt rendition at "The Concert for New York City" at Madison Square Garden on 20 October 2001. The concert was meant primarily as a tribute for family members and fellow workers of New York's Fire and Police and Emergency Medical Services departments, who had been participating in the ongoing recovery efforts at the demolished World Trade Center complex following the terrorist attacks of 11 September 2001. John dedicated the song to the emergency workers and their families, as well as to New York City. The song was also used in the film Almost Famous, in a scene in New York City, highlighting the loneliness of Kate Hudson's character, who overdoses on Quaaludes and Champagne. The song was used in the finale of the American version of Life on Mars. It was also used for the bridal dance in the final episode of the TV series Brothers and Sisters entitled "Walker Down the Aisle". A more upbeat sequel to the song called "Mona Lisas and Mad Hatters (Part Two)" was recorded about 15 years later for John's album Reg Strikes Back. Sir Elton Hercules John CH CBE (born Reginald Kenneth Dwight; 25 March 1947) is an English singer, songwriter, pianist, and composer. Collaborating with lyricist Bernie Taupin since 1967 on more than 30 albums, John has sold over 300 million records, making him one of the best-selling music artists of all time. He has more than fifty Top 40 hits in the UK Singles Chart and US Billboard Hot 100, including seven number ones in the UK and nine in the US, as well as seven consecutive number-one albums in the US. His tribute single "Candle in the Wind 1997", rewritten in dedication to Diana, Princess of Wales, sold over 33 million copies worldwide and is the best-selling single in the history of the UK and US singles charts. He has also produced records and occasionally acted in films. John owned Watford F.C. from 1976 to 1987 and from 1997 to 2002. He is an honorary life president of the club. Raised in the Pinner area of Greater London, John learned to play piano at an early age, and by 1962 had formed Bluesology, an R&B band with whom he played until 1967. He met his longtime musical partner Taupin in 1967, after they both answered an advert for songwriters. For two years, they wrote songs for artists including Lulu, and John worked as a session musician for artists including the Holliesand the Scaffold. In 1969, John's debut album, Empty Sky, was released. In 1970, his first hit single, "Your Song", from his second album, Elton John, became his first top ten in both the UK and the US. His most commercially successful period, 1970–1976, included Honky Château (1972), Don't Shoot Me I'm Only the Piano Player (1973), Goodbye Yellow Brick Road (1973) and his first Greatest Hits compilation — the latter two listed among the best-selling albums worldwide. John has also had success in musical films and theatre, composing for The Lion King and its stage adaptation, Aida and Billy Elliot the Musical. John has received five Grammy Awards, five Brit Awards; including for Outstanding Contribution to Music; two Academy Awards, two Golden Globes, a Tony Award, a Disney Legends Award, and the Kennedy Center Honor. In 2004, Rolling Stone ranked him 49th on its list of 100 influential musicians of the rock and roll era. In 2013, Billboard ranked him the most successful male solo artist on the Billboard Hot 100 Top All-Time Artists, and third overall, behind the Beatles and Madonna. He was inducted into the Songwriters Hall of Fame in 1992 and the Rock and Roll Hall of Fame in 1994, and is a fellow of the British Academy of Songwriters, Composers and Authors. He was knighted by Queen Elizabeth II for "services to music and charitable services" in 1998. John has been involved in the fight against AIDS since the late 1980s. In 1992, he established the Elton John AIDS Foundation, and a year later he began hosting his annual Academy Awards Party, which has since become one of the biggest high-profile Oscar parties in the Hollywood film industry. Since its inception, the foundation has raised over £300 million. John has performed at a number of royal events, such as the funeral of Princess Diana at Westminster Abbey in 1997, the Party at the Palace in 2002 and the Queen's Diamond Jubilee Concert outside Buckingham Palace in 2012. John, who announced he was bisexual in 1976 and has been openly gay since 1988, entered into a civil partnership with David Furnish on 21 December 2005; they married after same-sex marriage became legal in England and Wales in 2014. Presenting John with France's highest civilian award, the Legion d'honneur, in 2019, French President Emmanuel Macron called him a "melodic genius" and praised his work on behalf of the LGBT community. In 2018, John embarked on a three-year farewell tour. Source: Wikipedia
2019
Giclee on Fine Art Paper
12 W x 6 H x 0.1 D in
17.25 W x 11.25 H x 1.2 D in
White
Yes
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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