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My work is what I consider to be a form of life drawing - I record life around me in very precise moments of time. I draw and record the bumps in the road, the turbulence in the airplane, and the chaotic patterns that people move in. By letting the pen follow my eye, or trace the movement of my body in space, I am recording my experiences, which, to the unknowing eye, resemble a messy scribble or scratch paper. What these initial drawings actually are, is the foundation or point of departure of a much more complex and intricate drawing, and where every piece I make, begins. In my Pathways series, bridges are the source of inspiration. Bridges demonstrate the physical and mechanical history of engineering, construction, and the development of materials for structural integrity. Living and working in San Francisco, I am surrounded by the history and wonder of technology in the modern world. With paper, thread and ink, I’ve constructed landscapes that resemble various notable bridges around the world. Each Pathway piece consists of small remnants of many different drawings, each with their own history and significance, much like the elements in construction - each is specific and derived from something else. With thread, I’ve reinforced the the path of paper, like the weld of a steel structure. With ink, I paint in areas that would otherwise be unconsidered but have a large influence on the overall composition. I consider these pieces to be studies for a much larger scale body of work.
My work is what I consider to be a form of life drawing - I record life around me in very precise moments of time. I draw and record the bumps in the road, the turbulence in the airplane, and the chaotic patterns that people move in. By letting the pen follow my eye, or trace the movement of my body in space, I am recording my experiences, which, to the unknowing eye, resemble a messy scribble or scratch paper. What these initial drawings actually are, is the foundation or point of departure of a much more complex and intricate drawing, and where every piece I make, begins. In my Pathways series, bridges are the source of inspiration. Bridges demonstrate the physical and mechanical history of engineering, construction, and the development of materials for structural integrity. Living and working in San Francisco, I am surrounded by the history and wonder of technology in the modern world. With paper, thread and ink, I’ve constructed landscapes that resemble various notable bridges around the world. Each Pathway piece consists of small remnants of many different drawings, each with their own history and significance, much like the elements in construction - each is specific and derived from something else. With thread, I’ve reinforced the the path of paper, like the weld of a steel structure. With ink, I paint in areas that would otherwise be unconsidered but have a large influence on the overall composition. I consider these pieces to be studies for a much larger scale body of work.
My work is what I consider to be a form of life drawing - I record life around me in very precise moments of time. I draw and record the bumps in the road, the turbulence in the airplane, and the chaotic patterns that people move in. By letting the pen follow my eye, or trace the movement of my body in space, I am recording my experiences, which, to the unknowing eye, resemble a messy scribble or scratch paper. What these initial drawings actually are, is the foundation or point of departure of a much more complex and intricate drawing, and where every piece I make, begins. In my Pathways series, bridges are the source of inspiration. Bridges demonstrate the physical and mechanical history of engineering, construction, and the development of materials for structural integrity. Living and working in San Francisco, I am surrounded by the history and wonder of technology in the modern world. With paper, thread and ink, I’ve constructed landscapes that resemble various notable bridges around the world. Each Pathway piece consists of small remnants of many different drawings, each with their own history and significance, much like the elements in construction - each is specific and derived from something else. With thread, I’ve reinforced the the path of paper, like the weld of a steel structure. With ink, I paint in areas that would otherwise be unconsidered but have a large influence on the overall composition. I consider these pieces to be studies for a much larger scale body of work.
My work is what I consider to be a form of life drawing - I record life around me in very precise moments of time. I draw and record the bumps in the road, the turbulence in the airplane, and the chaotic patterns that people move in. By letting the pen follow my eye, or trace the movement of my body in space, I am recording my experiences, which, to the unknowing eye, resemble a messy scribble or scratch paper. What these initial drawings actually are, is the foundation or point of departure of a much more complex and intricate drawing, and where every piece I make, begins. In my Pathways series, bridges are the source of inspiration. Bridges demonstrate the physical and mechanical history of engineering, construction, and the development of materials for structural integrity. Living and working in San Francisco, I am surrounded by the history and wonder of technology in the modern world. With paper, thread and ink, I’ve constructed landscapes that resemble various notable bridges around the world. Each Pathway piece consists of small remnants of many different drawings, each with their own history and significance, much like the elements in construction - each is specific and derived from something else. With thread, I’ve reinforced the the path of paper, like the weld of a steel structure. With ink, I paint in areas that would otherwise be unconsidered but have a large influence on the overall composition. I consider these pieces to be studies for a much larger scale body of work.

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View In My Room

Pathways: 7 Mile Drawing

Renee DeCarlo

United States

Drawing, Ink on Paper

Size: 10 W x 10 H x 1 D in

Ships in a Box

SOLD
Originally listed for $390

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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My work is what I consider to be a form of life drawing - I record life around me in very precise moments of time. I draw and record the bumps in the road, the turbulence in the airplane, and the chaotic patterns that people move in. By letting the pen follow my eye, or trace the movement of my body...

Year Created:

2016

Subject:

Architecture

Styles:

Abstract

, 

Fine Art

 

Mediums:

Ink

, 

Gouache

, 

Spray Paint

, 

Paper

, 

Screenprinting

, 

Paper

, 

Soft (Yarn, Cotton, Fabric)

 

Medium:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

10 W x 10 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Contact us.

Need more information?

Contact us.

Art is part of my life which I rely on to document the world and experiences around me. I love to be outside, to explore new foods and to take crazy adventures with my kids to skateparks and places off the beaten path, always looking to discover new things.

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