Malus Necessarium Painting

Statement Julian Kline orchestrates a fusion of technology with the tangible essence of painting, crafting pieces that exude both gestural dynamism and algorithmic ingenuity. In a dance between gestural abstraction and the rhythmic repetition reminiscent of minimalism, Kline's creations poetically navigate the contemporary landscape of fractured screens and the radiant glow of personal devices. His canvases bear intentional gestures or undergo a dance of randomness guided by the hand of computer code. Pixel-born brushstrokes, transferred through inkjet printing or meticulously applied by the artist's hand, transform the digital realm into a tangible, textured reality. Within the artist's studio, a modern tableau unfolds, where computers, cameras, printers, and digital phones collaboratively disrupt the conventional norms of painting, introducing delightful imperfections and deviations. These digital tools, catalysts of dissonance, align seamlessly with Kline's artistic vision of forging a perpetually morphing pictorial realm. The palpable tension within the arrangement of his works finds its genesis in the ever-evolving crucible of the artist's studio, capturing the essence of a continuously transforming artistic narrative. Biography In the pursuit of artistic fulfillment, Kline delved into a diverse range of mediums, from painting, drawing, photography, and collage to embracing the cutting-edge realms of Photoshop and Illustrator. During the college years at California State University of Fullerton, a deep immersion in the classics of world cinema, contemporary film, and obscure cinematic works fueled a unique perspective on art. In the realm of cinematic influence, profound perspectives emerged, guiding explorations into the post-processing manipulation of still images and compositions. This journey paved the way for unforeseen artistic outcomes, enriching the tapestry of the creative process. Post-college, a transformative journey unfolded in Los Angeles at UCLA Extension, culminating in the acquisition of The Design Communication Arts (DCA) certificate. The initial foray into graphic design marked the genesis of a transition to traditional materials like gouache, watercolor, oil, and acrylic paint. This evolution paved the way for a captivating exploration of collage and digital photography.