Medal of Beauty Painting

In pursuit of unveiling the unknown, Australian-based artist Fiona Kain creates simple compositions of clean lines and minimalist palettes that reveal deceptively complex reimaginations of the world around us. Schooled in Fine Art and Design with an extensive career as a motion graphic designer, she brings these two realms together in a painting practice that explores the intersection of traditional methods of artistic creation and the world of digital technology. Each painting begins on the screen. With her concept in mind, she formulates her compositions, lines, and colours digitally. This allows her to rearrange and create concise yet nuanced interpretations of her subjects. Once complete, she converts her creations to canvases and paper with acrylic paints. She often overlays these painted images with hand-drawn details or mixed media elements. Through the added use of paper, and in some cases even items such as buttons or paper doilies, she exposes the extraordinary qualities of these commonplace objects. Despite the amalgamation of materials, processes, and techniques, the work coalesces into clean lines that radiate a graphic quality. What emerges is Kain’s uniquely illustrative style. Removed from their context, she often places the objects or subjects on a solid background. They are depicted in clean fine lines that manipulate their two-dimensionality, elevating these hyper-detailed composites to that of traditional notions of portraiture. She uses a deliberate monochromatic palette to focus the attention of the viewer on the meticulously selected nature of each painted element. Adding to the intricacy of her work, she engages her passion for typography with the inclusion of text, haunting in the background, echoing her underlying messages. Through paint, Kain extracts hidden realities, subtleties of character, and plot that go unnoticed, lost to the noise. Having lived both locally and abroad extensively, with studios among the cacophony of metropolitan epicentres such as Melbourne (Naarm), Hong Kong, Singapore and Sydney (Gadigal), she has discovered a way to distill the energy and dynamism of a place, a person, or a pattern. The extensive narratives are translated into beautiful symbolism.