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This art is painted on clay-board.  It is framed in an all-wood frame, with a plexi-glass cover.
I couldn't decide whether to paint this image with a blue background, or a more neutral, gray background, so I painted both.  As with the blue version, this painting depicts seashells crumbling, turning into sand, then reforming at the bottom of the hourglass.  The process represents eternity in terms of the endless cycle of life.
Back of painting and frame; hanging wire attached.

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Eternity (Brown Version) Painting

Julie Martin

United States

Painting, Acrylic on Other

Size: 16 W x 20 H x 0.3 D in

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$2,665

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I couldn't decide whether to paint this image with a blue background, or a more neutral, gray background, so I painted both. As with the blue version, this painting depicts seashells crumbling, turning into sand, then reforming at the bottom of the hourglass. The process represents eternity in ter...

Year Created:

2014

Subject:
Medium:

Painting, Acrylic on Other

Rarity:

One-of-a-kind Artwork

Size:

16 W x 20 H x 0.3 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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**Artist Statement** Throughout my journey as an artist, I have come to recognize the limitations of an overly intellectualized approach to art—one that often diminishes the emotional and spiritual dimensions of our being. Over time, I found myself drawn to creating work that simply speaks to me, independent of its intellectual merit. After all, no theory or analysis can surpass the sheer beauty of a peony in bloom or the majesty of a river cascading through a mountain landscape. Yet, intellect is not abandoned, for is God not the creator of intellect itself? Nature, in all its wonder, is imbued with geometry, chemistry, and unseen laws beyond our comprehension. My early flower paintings focused on close-ups of petals and leaves, capturing the elegant lines and rhythms found in nature. This attention to form and movement aligns with my deep appreciation for the refinement of calligraphy and design—an influence I see echoed in the natural world time and again. My work often shifts between the minimal and the extravagant, embracing both restraint and expressive detail. I do not seek to contain this dynamic tension; rather, I allow it to unfold organically, much like the natural world itself. Whether through delicate precision or expansive expression, my art exists as a response to beauty—a beauty that speaks beyond words, intellect, or doctrine, straight to the heart.

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