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This a final third (III) part of painting in a tryptich "Before the Sunrise".

I was walking home. It was late spring in the wee hours and I found a rose bush near the entrance in a competitively different angle than usually on a sunny day.

The colors were muted and emitted a barely noticeable gentle glow from the twilight.

Having made several colored sketches, I decided to made set which consist of III parts.

Painting made with Acrylic & Oil on medium-density fiber (MDF Wood) board.
This a final third (III) part of painting in a tryptich "Before the Sunrise".

I was walking home. It was late spring in the wee hours and I found a rose bush near the entrance in a competitively different angle than usually on a sunny day.

The colors were muted and emitted a barely noticeable gentle glow from the twilight.

Having made several colored sketches, I decided to made set which consist of III parts.

Painting made with Acrylic & Oil on medium-density fiber (MDF Wood) board.

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Before the Sunrise III Painting

Hannah Barlag

Germany

Painting, Acrylic on Wood

Size: 28 W x 39 H x 0.1 D in

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49 Views

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ABOUT THE ARTWORK

This a final third (III) part of painting in a tryptich "Before the Sunrise". I was walking home. It was late spring in the wee hours and I found a rose bush near the entrance in a competitively different angle than usually on a sunny day. The colors were muted and emitted a barely noticeable gentle glow from the twilight. Having made several colored sketches, I decided to made set which consist of III parts. Painting made with Acrylic & Oil on medium-density fiber (MDF Wood) board.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Wood

Original:

One-of-a-kind Artwork

Size:

28 W x 39 H x 0.1 D in

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I am working as a Mural and Fresco artist. My Fine Art is in private collections in Netherland, Belgium, Swiss, S.Africa, USA, UK view to name. I try to capture fleeting moments and transient effects of light on canvas. You can usually see deep shadows or neon glows contrasting with the main object which makes the scene look alive, deep and mysterious. Where I can't create the necessary volume with paints I am using the applique technique but without over-decoration/saturation of short-living tendencies. It helps me to create multilayers in works. I paint realistic but without the coldness or blindness of photorealism I am fascinated by how magnificent the world is and working to bring out its mysterious beauty. info and exhibitions:

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Artist featured in a collection

Artist featured by Saatchi Art in a collection

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