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Lumberjack Painting

Karin Bos

Netherlands

Painting, Oil on Canvas

Size: 19.7 W x 15.7 H x 1.2 D in

Ships in a Crate

SOLD
Originally listed for $2,380

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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oil on canvas Karin Bos, Lumberjack, oil painting, 40 x 50 cm, 2009 In 2013 I completed a series of 16 prints based on this painting, see .html Starting point of this series is this painting translated into a 'drawing' that is carved from wood with a laser cutter. Then I experimented with printin...

Year Created:

2009

Subject:
Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 15.7 H x 1.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

Need more information?

Need more information?

Order now: brand new catalogue! Karin Bos (1966, NL) graduated at the Amsterdam School of Fine Arts in 1989. She works as a visual artist in Amsterdam, the Netherlands. Her main media are painting, drawing and printing. More information: People and nature are the focus point of her work. Main characters are usually girls or women. Especially mutual relative power and relations have her interest. Frictions and inequality in these relationships is a recurrent theme. For instance between man and woman, or adult and child, or children amongst each other, group behavior versus the loner. When the pursuit of harmony fails, it becomes interesting for her work. Several examples of 'girlpower' series Karin Bos has accomplished are 'Showgirls', 'Gamegirls', 'Fairyqueens' and 'Feel Good'. In her recent work there is a shift towards the landscape. Karin Bos asked herself if she could tell something about people without having them literally in sight. It resulted in fairytale-like landscapes with an ominous undertone, where always something odd is present. These 'Slightly Creepy Camping Sites' are paintings of barns, sheds and abandoned caravans in harsh landscapes which get their suspense no longer by the act or look of the main character, but by the use of color, light and the way it is painted. Important in her work is the suggestion. It evokes a cinematic world, a world of stories, where nothing is what it seems, and where a merry holiday scene could as well be the site of a terrible crime. This tension, this ambiguity is what interests Karin Bos as an artist. Outdoor life and nature play a large part in her recent work. Because in the Netherlands infrastructure and urbanization are so widely present, it is difficult for her to find landscapes she can use as a source for her work. All Dutch 'nature' is planned, organized and designed. Therefore she has done several artist-in-residencies abroad. She focuses on landscapes that provoke mixed feelings. What attracts her is space, 'ugliness' and roughness of the scenery, the intensity of colors and light, and the ruthlessness of nature. It is not there to please. It has a dark side, which fits her work very well. Recently she celebrated a very successful retrospective which was on view at the Contemporary Art Museum CAB in Burgos, Spain in 2020. (with catalogue). In 2017/18 at the Contemporary Art Museum CODA in Apeldoorn, the Netherlands.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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