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Guardian of Secrets Collage

Vladimiras Nikonovas

Lithuania

Collage, Metal on Bronze

Size: 28.3 W x 14.6 H x 1.2 D in

Ships in a Crate

SOLD
Originally listed for $1,150

813 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Created from wood,metal and found obgects.

Year Created:

2013

Subject:
Medium:

Collage, Metal on Bronze

Rarity:

One-of-a-kind Artwork

Size:

28.3 W x 14.6 H x 1.2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Lithuania.

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Need more information?

"To me, an artist looks like a myth creature, weird adept who actualizes his spiritual energy in the way known to himself alone and creates a new object embracing its generosity of diversity and fullness of serenity, matter and spirit, the truth of life, and the elements of Eternity within." These Algirdas Steponavicius' s thoughts perfectly describe Vladimiras Nikonovas and his works. Constant search of connection between inner and outer, shape and content, improvisational structures, and strictly built rational order brings the artist V. Nikonovas' s works closer to the synonym of reality where the artist touches a material infusing a soul to it: created birds, fish, and myth creatures come to life. Oeuvre- is a ritual of resurrection, or, according to Antonio Tapies "an artist- is a shaman who recognizes the true matter and injects life into it". Not only the creature resurrected from old mass production object waste is important to V. Nikonovas, but also the surface which the assemblage appears on. Metatarsus of assemblage namely highlights the designed creatures which mostly peep out from mysterious, restrained profundity (creator's spiritual subconsciousness), simultaneously emphasizing its cold metallic sheen. This grand gloss being perhaps paradoxical to its nature, confirms A. Tapies proposition that artists are capable of injecting life into matter.

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