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Italian Renaissance, Portrait - Italian Renaissance ballpoint pen on paper drawing Drawing

Alessandro Nesci

Italy

Drawing, Ballpoint Pen on Paper

Size: 3 W x 5.1 H x 0.1 D in

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$370

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ABOUT THE ARTWORK

Italian Renaissance, Portrait - Italian Renaissance ballpoint pen on paper drawing During a business meeting... The Renaissance is a period in European history, covering the span between the 14th and 17th centuries and marking the transition from the Middle Ages to modernity. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the middle ages. The intellectual basis of the Renaissance was its version of humanism, derived from the concept of Roman Humanitas and the rediscovery of classical Greek philosophy, such as that of Protagoras, who said that "Man is the measure of all things." This new thinking became manifest in art, architecture, politics, science and literature. Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of metal movable type sped the dissemination of ideas from the later 15th century, the changes of the Renaissance were not uniformly experienced across Europe: the very first traces appear in Italy as early as the late 13th century, in particular with the writings of Dante and the paintings of Giotto. As a cultural movement, the Renaissance encompassed innovative flowering of Latin and vernacular literatures, beginning with the 14th-century resurgence of learning based on classical sources, which contemporaries credited to Petrarch; the development of linear perspective and other techniques of rendering a more natural reality in painting; and gradual but widespread educational reform. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, and in science to an increased reliance on observation and inductive reasoning. Although the Renaissance saw revolutions in many intellectual pursuits, as well as social and political upheaval, it is perhaps best known for its artistic developments and the contributions of such polymaths as Leonardo da Vinci and Michelangelo, who inspired the term "Renaissance man". The Renaissance began in the 14th century in Florence, Italy. Various theories have been proposed to account for its origins and characteristics, focusing on a variety of factors including the social and civic peculiarities of Florence at the time: its political structure, the patronage of its dominant family, the Medici, and the migration of Greek scholars and their texts to Italy following the Fall of Constantinople to the Ottoman Turks. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, and finally Rome during the Renaissance Papacy. The Renaissance has a long and complex historiography, and, in line with general scepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual culture heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a historical delineation.

DETAILS AND DIMENSIONS
Drawing:

Ballpoint Pen on Paper

Original:

One-of-a-kind Artwork

Size:

3 W x 5.1 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

A hard personal experience superimposed on the covid period, which changed my life forever, gave me reason to appreciate even more the strength of color, line and expression. "The Whole goes beyond Form". I enjoy expressing myself with different techniques: painting, drawing, photography. I can imagine that initially the collector or the beholder of my works can be a little crowded out or confused. The hallmark of my work is not found in the repetition of the same technique, again and again, but in some features of the technique itself and. The sign, the theme, the subject... are the way you can recognize my "signature." Living in Italy, every day I live together archeology, painting, architecture and Roman statuary, the Renaissance, the Baroque and all the other great styles, artistic periods and collections that are here, in Rome and in Italy. This is in my history, in my roots. In the history and roots of Western art. I have always felt a fascination for drawing since I was a child. I was fascinated by the idea of translating fantasy stories or even the first knowledge I got in school in images. I remember my notebooks: they were full of stories with drawings and illustrations of what I was learning at school. This is the way I learned new techniques and I improved my abilities: pencil, charcoal, pen, oil-colours, acrylics, using different styles and painting supports. I have painted soft and wavy landscapes, which sometimes are rough and separated by plains. I saw these landscapes in Rome as I was a child and they come to my mind in my every day life. This is the Nature where History traces overlap and they get, in turn, enveloped by Nature. There is a continuous and silent conflict between these two elements. These conflict, together with Rome and its history, its streets, its ruins and of course its colours is the leit motiv of my work. These themes are here, at your fingertips. It's present history. I cannot describe with words what exactly I feel when I'm surrounded by these "strong" landscapes and I try to paint them. I have completed my knowledge on image studying and acquiring certificates on web design and commercial art and working as a graphic designer. At the moment I work in the Public Italian School as an Art Teacher. I took part in many collective exhibits. My works are in private collections in Italy, Europe, Japan, USA, China, Australia.

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