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Dennis Quaye and Mumin Jangani Photograph - Limited Edition of 10

Random Photo Journal

Germany

Photography, Black & White on Other

Size: 35.6 W x 27.9 H x 2.5 D cm

Ships in a Tube

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Photography of two friends Dennis Quaye and Mumin Jangani for King Kong magazine, never look back con issue

Year Created:

2020

Subject:
Medium:

Photography, Black & White on Other

Rarity:

Limited Edition of 10

Size:

35.6 W x 27.9 H x 2.5 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Random Photo Journal is the study of the social ecology of neighbourhoods and living conditions in West Africa. This new way of seeing is consistent, ongoing, and yearly, about the intricate and delicate everyday lifestyle of Africans living on the continent. It is an idealogy that is alive, and ever young with the cultural times that play out in sub and mainstream cultures within the African continent. A lot of the images I have made come from two times six months of road trips to states and cities in Nigeria where I lived temporarily and moved on to other spaces, using language as a key into the civilisation: Pidgin, Igbo, Hausa, Yoruba, Twi, Akan, French. Many of the images also come from being in Ghana for a good number of years documenting the rise of the skate culture, in some cities in Togo: Lome. Benin republic: Porto-Novo especially, Ouidah, and other trade routes. The documentary role my photography plays is solving the problem of honest representation in the street and fine art photography, my main goal is to bend the rules of traditional photography or change how images can be read by those outside the African continent. I consider my photography a marketing tool to intimately study geographical locations and a catalogue of unpublished works floating on social media as an accessible inspirational repository for filmmakers, artists, stylists and visual anthropologists. The narrative strategy I am developing to capture and comprehend the events shaping the world around us is to try to interpret, photographically, that Africa can be a country because of prevalent similarities.

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