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“Sika Dwa Kofi” (Golden Stool) Painting

Eugene Akwasi Mfum

Ghana

Painting, Acrylic on Wood

Size: 22 W x 22 H x 2 D in

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$3,000

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ABOUT THE ARTWORK
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I draws inspiration from the rich history and cultural significance of Ashanti relics, aiming to honor them through their work. The technique involves painting on traditional wooden trays, incorporating Ashanti relics as a substrate, and layering acrylic paint to create a textured and varied tonal s...

Year Created:

2025

Subject:
Medium:

Painting, Acrylic on Wood

Rarity:

One-of-a-kind Artwork

Size:

22 W x 22 H x 2 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Ghana.

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Eugene Mfum, born 1997 in Dunkwa Offin in the Central region of Ghana, is a contemporary Ghanaian artist with an active studio in Takoradi and Kumasi. He is a graduate of Takoradi Technical University. He served as an assistant to renowned Ghanaian artist Mr. Larry Amponsah, who was based in London at Gallery 1957 Kempinski Hotel, the largest gallery’s and hotel in Ghana. He developed the aptitude and Creativity for the execution of everyday contemporary art in various media ranging from wet to dry. He is fascinated by trading. This fascination with commerce in particular has led him to explore different techniques using conventional and unconventional objects and support like round wooden tray to produce Market women– like impressions of varied tonal structures on round wooden tray. With this idea, through my work He is incorporating the wooden tray as a base or substrate for my work. His method of creation is essential to his work. His artworks mainly examines basic economy and capitalist intentionality. His works also revolve around the cultural, political, and economic growth. With every effect from his painting process, he explores the notion of efforts of market women towards the development of the economy. His artistic experiments on creative play in his working process. He likes painting abstract, and neo-impressionism. He is currently exploring more by painting market women on round wooden tray used by market women to display, carry and sell their items. The theme of the painting's is “ Coins of Recognition ”

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