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Dark Matters Painting

Beth Ames Swartz

United States

Painting, Acrylic on Canvas

Size: 48 W x 36 H x 1.5 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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During the 2020 COVID-19 pandemic and concurrent political dysfunction, I attempted to resolve my feelings by painting the Broken World series. Hart Crane (1899 – 1932, USA) wrote modernist poetry attempting to find a more optimistic view of contemporary urban culture than he discovered in the poet...

Year Created:

2020

Subject:
Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

48 W x 36 H x 1.5 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

Instagram: My series explore different systems of knowledge, both ones well known and some more esoteric, translating their philosophical concepts into aesthetic visual experiences. Uniting my art is its conceptual inspiration rather than a consistent visual style. I frequently include words and symbols from many philosophic and religious systems thereby facilitating communication with viewers on both conscious and unconscious levels. My art and life changed when I moved from New York City to Arizona in 1959. The desert became my mentor after two rafting trips down the Colorado River in the early 70’s. Exposed to the dignity and continuity of nature’s abiding cycles, I felt the need to translate visually my reverence for the earth. These life-changing experiences morphed my early landscapes into a new aesthetic language. Often employing pilgrimage and ritual, I explored fire as an art form in an effort to go deeper into my practice and bring elemental energy into my painting. I mutilated and burnt large heavy scrolls of paper, incorporated fire, earth, paint and other materials until the paintings were transformed, recapitulating nature’s life cycle of ordering (birth), disordering (death), and reordering (rebirth). My art practice is a devotional activity, an intuitive journey and lifelong quest to transcend brokenness and create reconciliation, transformation, and beauty. I focus on art’s potential for unifying people, helping us recognize the commonality of human experience.

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