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The hard iron bar from which the weapons are made symbolizes the path of life, often laden with suffering. The ceramic pieces, which come from the utilitarian sphere, containers for food and drink, are pierced and often deformed by this rigid and sharp material. Ceramic pieces whose mouth acquires an aspect very similar to the human mouth at the moment of the scream or the grimace of pain. The superimposition of ceramic pieces that come from the tradition of the potter, which for me symbolize the work of women throughout the history of humanity. A work of care and generosity towards their own, they are deformed, as if trying to shout in the void. Pieces that individually are loaded with meaning, but together tell stories or generate characters. The work of the Totems for me is like a game. It's like threading necklaces. From pieces made on the lathe, without glazing, I combine pieces and create these vertical forms.
The hard iron bar from which the weapons are made symbolizes the path of life, often laden with suffering. The ceramic pieces, which come from the utilitarian sphere, containers for food and drink, are pierced and often deformed by this rigid and sharp material. Ceramic pieces whose mouth acquires an aspect very similar to the human mouth at the moment of the scream or the grimace of pain. The superimposition of ceramic pieces that come from the tradition of the potter, which for me symbolize the work of women throughout the history of humanity. A work of care and generosity towards their own, they are deformed, as if trying to shout in the void. Pieces that individually are loaded with meaning, but together tell stories or generate characters. The work of the Totems for me is like a game. It's like threading necklaces. From pieces made on the lathe, without glazing, I combine pieces and create these vertical forms.
The hard iron bar from which the weapons are made symbolizes the path of life, often laden with suffering. The ceramic pieces, which come from the utilitarian sphere, containers for food and drink, are pierced and often deformed by this rigid and sharp material. Ceramic pieces whose mouth acquires an aspect very similar to the human mouth at the moment of the scream or the grimace of pain. The superimposition of ceramic pieces that come from the tradition of the potter, which for me symbolize the work of women throughout the history of humanity. A work of care and generosity towards their own, they are deformed, as if trying to shout in the void. Pieces that individually are loaded with meaning, but together tell stories or generate characters. The work of the Totems for me is like a game. It's like threading necklaces. From pieces made on the lathe, without glazing, I combine pieces and create these vertical forms.
The hard iron bar from which the weapons are made symbolizes the path of life, often laden with suffering. The ceramic pieces, which come from the utilitarian sphere, containers for food and drink, are pierced and often deformed by this rigid and sharp material. Ceramic pieces whose mouth acquires an aspect very similar to the human mouth at the moment of the scream or the grimace of pain. The superimposition of ceramic pieces that come from the tradition of the potter, which for me symbolize the work of women throughout the history of humanity. A work of care and generosity towards their own, they are deformed, as if trying to shout in the void. Pieces that individually are loaded with meaning, but together tell stories or generate characters. The work of the Totems for me is like a game. It's like threading necklaces. From pieces made on the lathe, without glazing, I combine pieces and create these vertical forms.
The hard iron bar from which the weapons are made symbolizes the path of life, often laden with suffering. The ceramic pieces, which come from the utilitarian sphere, containers for food and drink, are pierced and often deformed by this rigid and sharp material. Ceramic pieces whose mouth acquires an aspect very similar to the human mouth at the moment of the scream or the grimace of pain. The superimposition of ceramic pieces that come from the tradition of the potter, which for me symbolize the work of women throughout the history of humanity. A work of care and generosity towards their own, they are deformed, as if trying to shout in the void. Pieces that individually are loaded with meaning, but together tell stories or generate characters. The work of the Totems for me is like a game. It's like threading necklaces. From pieces made on the lathe, without glazing, I combine pieces and create these vertical forms.

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Totem organic nº8 Sculpture

Cristina Figarola

Spain

Sculpture, Ceramic on Ceramic

Size: 11.8 W x 59.1 H x 11.8 D in

Ships in a Crate

SOLD
Originally listed for $2,920

230 Views

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The hard iron bar from which the weapons are made symbolizes the path of life, often laden with suffering. The ceramic pieces, which come from the utilitarian sphere, containers for food and drink, are pierced and often deformed by this rigid and sharp material. Ceramic pieces whose mouth acquires ...

Year Created:

2020

Subject:

Abstract

Styles:

Abstract

 

Mediums:

Ceramic

, 

Pottery

, 

Metal

, 

Ceramic

, 

Iron

 

Medium:

Sculpture, Ceramic on Ceramic

Rarity:

One-of-a-kind Artwork

Size:

11.8 W x 59.1 H x 11.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.

I was born in Barcelona in 1962 and I graduated in Fine Arts in Cuenca's University. I am currently working on the creation of Totems, made up of stacked pieces of stoneware, which come from the field of utilitarian ceramics. I use shapes with expressive deformations, fitting them into columns of variable composition. When I started working in this craft, I realised that everything revolved around the feminine. The earth, the circle and the shapes that emerge from this millenary technique produce utilitarian pieces that are the mark of ancient civilisations, apparently fragile, but which have survived thousands of years underground. The superimposition of ceramic pieces crossed by an iron rod was born as a symbol of women's work, care and generosity towards their loved ones, and at the same time alludes to the feminine role and its historical link with the domestic sphere. Now the work of the Totems has become a game for me, where I thread necklaces on a human scale.

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