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Germany
Sculpture, Ceramic on Ceramic
Size: 7.9 W x 14.4 H x 8.3 D in
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Enjoying the process of transformation from raw clay, in the modeling of hand-formed sculptures. My ceramics celebrate the beauty of fired clay showing itself, even without glazes. Instante shows that single moment when a tree stem or a leaf falls to the ground. this imaginary and poetic form shows balance and precariousness at the same time. The sculpture is stable as shown in the photo. however, I add to the package a small wooden plank and a screw to which it is possible to fix it in case you want even more stability
Sculpture:Ceramic on Ceramic
Original:One-of-a-kind Artwork
Size:7.9 W x 14.4 H x 8.3 D in
Frame:Not applicable
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Kerol Montagna is an Italian artist based in Munich, Germany. Montagna´s art focuses on the formal relationship between landscape and human architecture, and the link between organic forms, building components, and devices. From the structure of leaves, reproduced by thin white paper, to utopian paper-made greenhouses, she is looking for new ways of togetherness. In her Ceramic works she enjoy the transformation from raw clay into ceramic sculpture. She creates spontaneous and organical Forms, remanding the variety of the vegetable world. Her Ceramics celebrates the beautiness of the buisquits fired clay, showing just some detail with selected glaces. In 2011 she graduated at the Academy of Fine Arts in Bologna, department of sculpture. In 2014, she acquired her diploma at the Academy of Fine Arts in Munich, showing a partecipatory art projekt tooking place in a self-build greenhaus in the garten of the Academy.
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