EarPods (Embedded Edition) Sculpture

I create art at the intersection of technology and human experience. My work explores the tension between artificial intelligence and human creativity, using digital abstraction, generative algorithms, and traditional media to challenge our perceptions of authorship, memory, and the evolving role of machines in artistic expression. For years, I was immersed in the world of technological innovation, shaping the future of AI, digital assets, and financial systems. Yet, amid the precision of algorithms and the structured logic of engineering, I found myself drawn to the chaos and unpredictability of art. The same technology I once used to automate, optimize, and scale became my medium for introspection and storytelling. My artistic practice is an ongoing dialogue between structure and spontaneity, between digital precision and human imperfection. Whether through AI-generated compositions, data-driven visual storytelling, or tactile mixed media pieces, my work seeks to capture what is lost, and what is found, when technology mediates human expression. At its core, my art is a rebellion against the idea that creativity can be reduced to code. While AI can generate patterns, analyze aesthetics, and even predict artistic trends, it lacks the intrinsic messiness of human experience, the flaws, emotions, and contradictions that make art powerful. I embrace those imperfections, using both digital tools and traditional techniques to create works that feel simultaneously futuristic and deeply personal. Through my work, I invite viewers to question: Can machines ever truly create? What does it mean to be an artist in an age where creativity is augmented by artificial intelligence? And how do we preserve the essence of human expression in a world increasingly defined by algorithms? My journey from technologist to artist is a reflection of these same questions. After years of building systems designed to predict and control, I now seek to create spaces for uncertainty, discovery, and wonder.