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Printmaking, Screenprinting on Silk
Size: 55 W x 98 H x 1 D in
Ships in a Crate
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Owls eye is an exploration of impermanence and tracing how forms change through time. Relating to the impermanence of the physical. Looking at transcendence from the physical into the metaphysical. The eye represents the idea of being able to see, in a way that we can comprehend vision. The animal is used as a way to understand form and how we can comprehend physicality. The one thing we can guarantee in this life is change, the way we see changes, the way we experience life changes and our physical form changes. The textural identity of fish eye is to understand how the physicalities of life, even our own vessel is constantly changing, adapting, evolving, developing, holding information, history, patterns and so with this one of the laws of nature is to understand change. Evolving into a deeper understanding of how texture mimics human and natural existence. Using textural experimentations in the screen printing process to express an idea beyond form and the intellectual mind. To see this textured trace of time and multifaceted forms as an opportunity to be open to change, taking away the fear that we naturally gravitate towards and to cultivate the idea that change is not always negative but more so a constant adaption of form and one of the only certain realities in this life. Using fabric, colour, dimension and movement in the hope to project the idea that in a world where we attach so much permanence in people, objects and places which in turn can lead to a lot of anxieties and fears. That we can also live in a space of much more faith by detaching from the idea of permanence and seeing these interchanging patterns and forms as something bright, colourful, necessary, natural and fearless.
Printmaking:Screenprinting on Silk
Original:One-of-a-kind Artwork
Size:55 W x 98 H x 1 D in
Frame:Black
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Janine Saul (b. 1997, London) is a conceptual textile artist. Janine's intrigue in the art of screen-printing stemmed from an interest in the possibilities of creating dimension and texture on fabric surfaces. By challenging the traditionally linear formula of the screen-printing process through manipulating screens, creating resists, and developing dye formulas, Janine has cultivated an experimental practice that implements her discoveries to create form-focused, layered outcomes rooted in depth and emotion. While playing with textural quality by pushing the boundaries of print, Janine's work is heavily informed by her lifestyle as a world traveller, gathering inspiration and teachings from around the world to create intricate pieces that aim to understand the many layers and constructions of the human experience, using colour and dimension to embody a space, time, moment and feeling. Describing her approach to creation as a desire to 'bring the invisible to the visible', Janine's work aims to reveal what happens in the spaces beyond the perceived eye. Through spatial installations, Janine employs movement to expose, conceal and reveal spaces to ourselves. Through her travels, Janine has positioned her work in diverse locations from the remote jungle of Mexico to conventional gallery spaces and has exhibited globally across London, New York, Mexico, Peru, France, Italy, and Greece.
Artist featured by Saatchi Art in a collection
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