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Above the mind Photograph - Limited Edition of 250

Santiago Cuellar

Bolivia

Photography, Digital on Paper

Size: 33.8 W x 50.8 H x 0.3 D cm

Ships in a Tube

₹23,261

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This photograph was taken in 2005 at a peasant market in Samaipata, a small town 120 km from my city. The light at that time of day was always captivating. The place, at our eye level, was not particularly picturesque, but sometimes, in our minds, we looked higher.

Year Created:

2005

Subject:
Medium:

Photography, Digital on Paper

Rarity:

Limited Edition of 250

Size:

33.8 W x 50.8 H x 0.3 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

My name is Santiago Cuellar, and I live in Santa Cruz de la Sierra, Bolivia. I started photography around 1992, exploring landscapes and nature. In the late '90s, I taught myself how to develop black and white film, improvising a darkroom in my bathroom. Over time, I began delving into more alternative themes, still within the analog era. The arrival of digital photography intensified this exploration, though my interest in rural life and its dynamics has always remained. I am a self-taught photographer. Today, I work professionally in architectural photography, a discipline I developed thanks to my studies in architecture. At the same time, I strive to continue with personal photography projects, as that is where I find the most meaning and fulfillment. I believe life unfolds according to our responsibilities and needs. Often, this pushes our personal interests into the background. My daily routine is shaped by unavoidable commitments, and my photography fits into those brief moments in between, responding more to the rhythm of my everyday life than to planned projects. Yet, I feel a constant need to hold onto the kind of photography that truly moves me. In that effort to sustain it, my vision sharpens toward the everyday. What once seemed trivial becomes a subject of visual exploration. In this way, my work has turned into a record of what surrounds me—a testimony to the ongoing dialogue between what I must do and what, despite everything, I continue to photograph.

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