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About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. 

It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everything from informations, street art, posters, dirt, or just some scratches from using. They are creted and destroyed by nature, time or us (humans) and are like proof of our times, witnesses of time.

Made of many layers of plaster and concrete, paint and photographs on canvas. Made by my unigue technique of layering plaster, concrete, choosing materials and destroying. It is made on canvas and stretched to frame. It has its own weight, but not so much. They can be confortably hanged to a wall.

I call them destructive expressionism paitnings.
About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. 

It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everything from informations, street art, posters, dirt, or just some scratches from using. They are creted and destroyed by nature, time or us (humans) and are like proof of our times, witnesses of time.

Made of many layers of plaster and concrete, paint and photographs on canvas. Made by my unigue technique of layering plaster, concrete, choosing materials and destroying. It is made on canvas and stretched to frame. It has its own weight, but not so much. They can be confortably hanged to a wall.

I call them destructive expressionism paitnings.
About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. 

It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everything from informations, street art, posters, dirt, or just some scratches from using. They are creted and destroyed by nature, time or us (humans) and are like proof of our times, witnesses of time.

Made of many layers of plaster and concrete, paint and photographs on canvas. Made by my unigue technique of layering plaster, concrete, choosing materials and destroying. It is made on canvas and stretched to frame. It has its own weight, but not so much. They can be confortably hanged to a wall.

I call them destructive expressionism paitnings.
About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. 

It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everything from informations, street art, posters, dirt, or just some scratches from using. They are creted and destroyed by nature, time or us (humans) and are like proof of our times, witnesses of time.

Made of many layers of plaster and concrete, paint and photographs on canvas. Made by my unigue technique of layering plaster, concrete, choosing materials and destroying. It is made on canvas and stretched to frame. It has its own weight, but not so much. They can be confortably hanged to a wall.

I call them destructive expressionism paitnings.
About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. 

It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everything from informations, street art, posters, dirt, or just some scratches from using. They are creted and destroyed by nature, time or us (humans) and are like proof of our times, witnesses of time.

Made of many layers of plaster and concrete, paint and photographs on canvas. Made by my unigue technique of layering plaster, concrete, choosing materials and destroying. It is made on canvas and stretched to frame. It has its own weight, but not so much. They can be confortably hanged to a wall.

I call them destructive expressionism paitnings.

217 Views

6

View In My Room

Wave no. 10 - Invocation (plaster/mortar painting) Painting

Tomas Bokor

Slovakia

Painting, Plaster on Canvas

Size: 55.1 W x 59.1 H x 1.6 D in

Ships in a Crate

$7,690

Shipping included

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217 Views

6

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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About the Appropriation of Muses. Circle, symbol of proces, symbol of progress with all its ups and downs, very natural, saying everything. Globe, global, ours, everyones. It looks like a destroyed wall with many layers of plaster. For me walls, are like boards of rememberance, they contain everyt...

Year Created:

2020

Subject:
Medium:

Painting, Plaster on Canvas

Rarity:

One-of-a-kind Artwork

Size:

55.1 W x 59.1 H x 1.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Slovakia.

Customs:

Shipments from Slovakia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

My name is Tomáš Bokor and I ́m a photographer living in Bratislava, Slovakia, where I completed my painting studies at the Academy of Fine Arts,. In my artwork, I deal with overlaps between history and the present, construction and deconstruction, urbanism, human values and life.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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