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Spine Study 3 Painting

Veronica Huacuja

Mexico

Painting, Oil on Canvas

Size: 39.7 W x 31.4 H x 1.5 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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“Spine Study 3” is an art approach to a genderless, anonymous and sick human body. The point of creating this torso in a magnified way–occupying the whole surface of the canvas of a medium format–seeks to leave to the observer no other chance but to look, just like a voyeurist would do. I want to s...

Year Created:

2018

Subject:
Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39.7 W x 31.4 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Mexico.

Customs:

Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Welcome to my online art studio! My name is Veronica Huacuja (wu-a-koo-ha). I am a professional plastic artist and an experienced online art teacher. ART INTERESTS The art interests that call my attention are diverse, such as sickness, pathological behaviour, forensics. Because of the different subjects I'm interested in, I've classified my work in collections. This helps me understand it in a better way. It also helps the re-creator to understand it, to invite or produce in him/her a state of mind that assists him in penetrating the work's creation circle. COLLECTIONS In my "Portraits" collection, I work with special characters in borderline situations. This means that the pieces are dramatic and in most of them I try to grasp their “exasperated beauty”. (1) These criteria apply as well to a new collection I entitled "Women", in which I interpret and portray historical females; some renowned characters, others are anonymous, but all of their biographies called my attention as an artist and as a woman. I treat most of these creations with drama. In my "Art and Radiology" collection–Period I and Period II–, the man and its precarious condition (temporality, decay, fragility...) is the central topic of my work. Some initial sources I use are radiological medical studies done to sick, genderless, anonymous persons. I like to call the results of my work as “Human Landscapes”. By this category, I mean to explore the carnal material that makes us human. I've divided this collection into two periods of my production: “Period I” goes from 2000 to 2003, and “Period II” gathers artwork I have created from 2015 up to date. I added a new collection, "The Relentless", where I picture people that have social malfunctions and disorders that drive them to commit crime. The tragedy of their lives and their cross paths in the lives of others are elements that impulse me to create this series. In this collection I include as well, the “manhunters”, which are the law enforcement professionals that pursue these dangerous outlaws. I think they are too relentless. So, those who fight “monsters” are also part of this collection. One thing I’d like to add is that my work isn’t an apology for crime. It’s my interpretation of a social phenomenon. In 2022, I debuted a new collection, entitled "Sculptures". The collection delves into the biographies of anonymous characters-both male and female–.

Artist Recognition
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