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Ribbons Painting

Inna Sumina

Russia

Painting, Oil on Canvas

Size: 23.6 W x 23.6 H x 1.5 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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This image of yellow iris continues the series «Imperfections». It was created in the same time with “It’s Complicated” painting. So the color choice is similar. This iris fits into the square form, the flower resembles numerous ribbons crossing and interacting together with the dominating yellow c...

Year Created:

2022

Subject:
Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

23.6 W x 23.6 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Russia.

Customs:

Shipments from Russia may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Inna Sumina is a Moscow-based self-taught emerging artist. «My paintings reflect my inner world, I would call it a «garden». What is this garden like? It is often abstract, a little bit chaotic or on the contrary - pretty much ordered, or even unpredictable, somewhat bright.. In my artworks I am ponding over the fleeting of time. The idea of seizing the moment is opposed to the pursuit of momentary pleasure in a consumer’s society. Awareness becomes means of slowing down and perceiveing the beauty of nature here and now. Using the images of flowers, I analyze the transience of life and draw a parallel between human life and the stages of a plant’s growth (luxuriance of blossoming - slow withering). Flowers in my paintings can be dramatic tended to destruction...or they can be fragrant and full of life, thus reflecting the ever-changing character of our days. I prefer black (dark) background for paintings: it helps me to emphasise how fragile and vulnerable is the soul of a flower, reveal its fleeting beauty, which strives to be noticed during these odd times. Thanks to the black tones of the background other colors become saturated while the whole image gains its structure. Using this dark, deep non-existence as a basis, I derive intuitive images which are recognized as silhouettes of flowers by the spectator.»

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