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The joyful Razz began with an intention similar to my paintings 90° and 90.1°. I used a 4" broad brushed rectilinear background. My next layers were laid on one color at a time, using 1" to 1/4" brushes for more narrow rectilinear strokes. I poured on metallic black, silver and white pearl, spreading it with palette knives to enrich the fabric of color, but I felt the rigidity had to be softened, so I created playful wavy motif, applied with acrylic paint markers. After a few days in my studio I chose to balance out the composition with the largest and only red wave. Only at that point did I realize how much more rich and detailed it would be if I added the delicate metallic silver threads. Now bold yet delicate, Razz was complete.
The joyful Razz began with an intention similar to my paintings 90° and 90.1°. I used a 4" broad brushed rectilinear background. My next layers were laid on one color at a time, using 1" to 1/4" brushes for more narrow rectilinear strokes. I poured on metallic black, silver and white pearl, spreading it with palette knives to enrich the fabric of color, but I felt the rigidity had to be softened, so I created playful wavy motif, applied with acrylic paint markers. After a few days in my studio I chose to balance out the composition with the largest and only red wave. Only at that point did I realize how much more rich and detailed it would be if I added the delicate metallic silver threads. Now bold yet delicate, Razz was complete.
The joyful Razz began with an intention similar to my paintings 90° and 90.1°. I used a 4" broad brushed rectilinear background. My next layers were laid on one color at a time, using 1" to 1/4" brushes for more narrow rectilinear strokes. I poured on metallic black, silver and white pearl, spreading it with palette knives to enrich the fabric of color, but I felt the rigidity had to be softened, so I created playful wavy motif, applied with acrylic paint markers. After a few days in my studio I chose to balance out the composition with the largest and only red wave. Only at that point did I realize how much more rich and detailed it would be if I added the delicate metallic silver threads. Now bold yet delicate, Razz was complete.
The joyful Razz began with an intention similar to my paintings 90° and 90.1°. I used a 4" broad brushed rectilinear background. My next layers were laid on one color at a time, using 1" to 1/4" brushes for more narrow rectilinear strokes. I poured on metallic black, silver and white pearl, spreading it with palette knives to enrich the fabric of color, but I felt the rigidity had to be softened, so I created playful wavy motif, applied with acrylic paint markers. After a few days in my studio I chose to balance out the composition with the largest and only red wave. Only at that point did I realize how much more rich and detailed it would be if I added the delicate metallic silver threads. Now bold yet delicate, Razz was complete.
The joyful Razz began with an intention similar to my paintings 90° and 90.1°. I used a 4" broad brushed rectilinear background. My next layers were laid on one color at a time, using 1" to 1/4" brushes for more narrow rectilinear strokes. I poured on metallic black, silver and white pearl, spreading it with palette knives to enrich the fabric of color, but I felt the rigidity had to be softened, so I created playful wavy motif, applied with acrylic paint markers. After a few days in my studio I chose to balance out the composition with the largest and only red wave. Only at that point did I realize how much more rich and detailed it would be if I added the delicate metallic silver threads. Now bold yet delicate, Razz was complete.

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Razz Painting

Heather W Ernst

United States

Painting, Acrylic on Canvas

Size: 40 W x 30 H x 1.5 D in

Ships in a Box

SOLD
Originally listed for $785

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The joyful Razz began with an intention similar to my paintings 90° and 90.1°. I used a 4" broad brushed rectilinear background. My next layers were laid on one color at a time, using 1" to 1/4" brushes for more narrow rectilinear strokes. I poured on metallic black, silver and white pearl, spreadin...

Year Created:

2016

Subject:

Abstract

Styles:

Abstract Expressionism

 

Mediums:

Acrylic

, 

Canvas

 

Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

40 W x 30 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

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Heather W. Ernst is a abstract landscape and contemporary abstract painter both in mixed media. She lives in Colorado, USA, and practiced architecture as a registered architect during 1992-2012. She focused on high end residential, medical and retail projects to $12M for approximately 25 years. She has exhibited throughout Colorado and Washington state in both solo and group exhibits. Heather’s work is found with private clients throughout the United States, U.K., Germany and New Zealand. #art #artist #painting #homedecor #interiordesign #architecture #home #expressionism #abstractextressionism #abstractart #contemporaryart #ideas #wall #officedecor #wallart

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