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Questo misero modo tegnon l'anime triste di coloro che visser sanza 'nfamia e sanza lodo Painting

Dennis Teunissen

Sweden

Painting, Oil on Canvas

Size: 63 W x 63 H x 2 D in

Ships in a Crate

This artwork is not for sale.

881 Views

4

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Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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The longest title in my portfolio... of course derived from Dante (Inferno, canto III). Translated to English: -- And he said to me: "Here, there are the souls of the ones who lived without doing neither good nor bad things" -- It is my most important painting to date. It took half a year to pain...

Year Created:

2008

Subject:
Styles:
Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

63 W x 63 H x 2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

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Need more information?

Artist from Utrecht, The Netherlands. Main discipline is painting. *** Artist Statement *** Back of the cultural landscape On average I manage to complete twelve paintings a year. They mainly show architectural themes. The images that I use are found in my daily life. Cycling from my home to the studio have been and are of great importance. In the vicinity of closed factories, construction sites and overgrown junkyards you can see that the difference between thriving industry and, after time, the last vestiges are not so great. Almost everything is still there - it's just abandoned, discarded, obsolete. In short it is my intention to portray the back of the cultural landscape, which should result in universal images. I will not just make statements on impermanence or criticize consumer society. First of all I want to show what remains after human presence and activity have ceased. Everything that exists has once been non existent and will without a doubt in the future cease to exist, even though there is a phase in anything we can create or think of may seem beautiful and timeless. My interest starts when that phase is over and something else begins to emerge. I paint, metaphorically speaking, weeds rather than flowers. Or, as was clearly expressed in an article to accompany the exhibition City and Industry in 2004: "Dennis Teunissen registers with ruthless clarity the surprising beauty of the remains of human economic activity: a continual building up followed by decay, with only dented cars and rusty coal wagons as silent, abandoned witnesses."(Femke Zijp in Nova Terrra magazine). Dennis Teunissen 2012

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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