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Portrait of Bill Loika Painting

Kieran Smith

Netherlands

Painting, Acrylic on Canvas

Size: 31.5 W x 39.4 H x 1.6 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Bill Loika is a older generation tattoo artist working in Amsterdam. Having recently moved to Amsterdam and being still very much under its spell - and having gotten my first tattoo - I came across a compelling photograph of Bill and decided to paint him. It's executed in a mixture of sand, cork a...

Year Created:

2013

Subject:
Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

31.5 W x 39.4 H x 1.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

Need more information?

Need more information?

Born in the UK in 1980 I grew up in South Africa before moving to Amsterdam in 2011. I'm inspired by great painting whenever I see it, but stylistically I take a cue from the German expressionists, Emil Nolde and similar artists for their fearlessness of coarse, even ugly brushstrokes. The paint itself became an object in the artwork that related to the subject in a meaningful way. Frank Auerbach and figurative painters like Freud are giants who've set the bar impossibly high and are also always hovering in the back of my mind. I started out with traditional paints but in the late 90s while studying realised that acrylics were never going to do what I needed them to do. I should have just tried oils but I was doing a painting a day back then and didn't have the patience for oil's drying time. Instead I experimented with other materials that could make coarser marks and happened upon the mixture of sand, industrial glues and acrylics that I still work with today.  It's a challenging medium to work with but it gives the possibility for vivid markings, extremely tactile and sculpted surfaces, and by contrast a restrained colour palette. The muted finish and texture somehow creates a deceptively beautiful  human 'realness' that can't easily be achieved with traditional paints that keep their sheen.

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