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Pinhead Painting

Rosie Galloway-Smith

United Kingdom

Painting, Acrylic on Canvas

Size: 20.5 W x 24.4 H x 1.2 D in

Ships in a Crate

This artwork is not for sale.

104 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The thinking behind this piece was similar to 'Shard' and this piece followed on quickly from it. The work is similar to 'Rigid' in that it reflects an extreme of awkward and unpleasant emotion. It is framed and ready to hang.

Year Created:

2016

Subject:
Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

20.5 W x 24.4 H x 1.2 D in

Ready to Hang:

Yes

Frame:

Gold

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Rosie Galloway-Smith is a mixed media artist who creates paintings, drawings, sculpture, and digital pieces that explore semiotics, materiality, femininity and fractured identity. Rosie completed the Mlitt Fine Art Painting at Glasgow School of Art in 2018. She has exhibited extensively in Cumbria and internationally. News and updates can be found on her Instagram page, . Recent public commissions include an installation of a washing line at Blackwell, the arts and crafts house in Cumbria, UK that was based on the county’s experiences of covid (Class, Covid, and Cumbria), and a piece called ‘Tangled Threads’ for Artful Ways Cumbria which looked at Carlisle’s relationship through cotton to the enslavement of people in Southern USA states. Clothing, particularly dresses, are a central and reoccurring theme, alongside other found objects. She sometimes uses construction and household materials to emphasise the relationships clothes have with structure, and ultimately, dereliction and her work plays with the history and meaning of different materials. Disintegration, fracturing, and morphing continue to interest her, especially as a way to explore a surrealist psychotic disruption of signifiers and meaning and through these means, make sense of contemporary and historical issues relating to modern Britain. The resultant pieces of artwork incite an emotional and curious response, feeling recognisable yet unfamiliar at the same time. Altogether they form an ongoing personal enquiry into fragmented meaning and experience. Her work has been described as dark, curious, edgy, vibrant, and texturally delicious. Expressing strong and ambiguous emotion is central to her work and each piece of work has a personal element. Rosie hopes to make space for the viewer to bring their own emotional responses and experiences to the piece. Born in England, and raised in Scotland and Cumbria, where she currently resides, Rosie grew up in an eccentric family with Roman Catholic parents and eleven siblings. Her childhood experience was one of being different to her peers, of having a unique home life where religious belief and making things for yourself played central themes. She completed her undergraduate degree in Fine Art at University of Humberside, Queens Gardens, Hull in 1996 and wrote a final thesis analysing the Virgin Mary using the work of Jacques Lacan and Julia Kristeva.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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