313 Views
7
View In My Room
Painting, Acrylic on Wood
Size: 18 W x 24 H x 2 D in
Ships in a Box
313 Views
7
Artist featured in a collection
This piece was inspired by my friend Samira Abbassy's work, who often makes women in abstracted patterned dresses with long black hair, inspired by Persian miniatures. I couldn't get her work out of my mind for years, so I finally made something similar. I added my own autobiographical touches.
2015
Painting, Acrylic on Wood
One-of-a-kind Artwork
18 W x 24 H x 2 D in
No
Not Framed
Certificate is Included
Ships in a Box
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Exploring the idea of multiple and simultaneous realities, as well as the interconnectedness and interdependence of all phenomena, is the focus of my work. I sometimes paint over journal pages, doodles, and in Mostly Bad Ideas, index cards with ideas for artworks never executed. Transforming personal ephemera into art is a way of layering meaning, wasting nothing, and witnessing the passage of time through personal history. I'm trying to capture the idea that we each view the world through a unique lens, and though connected, we exist in a world of endless and conflicting realities. The "handbook" drawings began by discovering a 1944 medical book investigating hand shapes and illness. Its images of supposedly schizophrenic hands intrigued me. I've been painting over its pages, creating groups of six drawings to be framed together as one. My End is My Beginning and My Senses Unsensed are the first groups in the series. I combine fragmented 'puzzle piece' images to create semi-abstract, open ended narratives . I have experimented with many techniques and media over the years, including iron oxide, slate, beeswax, glow-in-the-dark paint, metal leaf, blood, sound, found objects, installation, mosaic tile, lithography, etching and chine colle. - new work - thirty years' work
Artist featured by Saatchi Art in a collection
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