Grund 1 Painting

How do we recognize coherence and cohesion when all the limitations, all the categorizations, all the codes and abbreviations only point to a fraction of who and what we are? DG Since his Project “Gelb92” (Yellow92) Günther has been investigating the manifestation of the (Western) image in its significance for the definition and establishment of images of the world and of man, its effect on the modes of the visible and invisible, its role and weight for the development of social behavior / social relations. In this context, Günther’s work also represents an advancement in the conceptualization of indeterminacy. This is not the pure indeterminacy of an arbitrary, negative freedom without transcendance and history. It is instead precisely the indeterminacy – and thus the non-depictability – that cannot be anticipated or made relative by any commonality, neither that of a society nor that of a community. In the transition from the general to the singular, from the common to the particular, from language to speech, from potentitality to actuality, indeterminacy is applied: the indeterminacy of the human individual. (Christian Kupke) After studying humanities and communication sciences at the Ludwig-Maximilian-University in Munich and the Free University of Berlin (Master’s Degree: M. A.) Detlef Günther studied fine art at the UdK from 1984 to 1990 (Master’s Degree). At the same time he founded the group BOR with the artists Martin Assig, Klaus Hoefs, Oliver Öfelein and Jochen Stenschke. As a freelance artist, Günther worked in the 1990s on the research project “Technical Vision” at the Medieninstitut Berlin (headed by Prof. Dr. Arthur Engelbert). In 1997, he founded “Twosuns Media Development GmbH” and developed the interactive environment system “Enclued” in connection with a new type of camera procedure that records people’s movements in space in three dimensions. Both innovations have been patented by the German and European Patent Office. Detlef Günther has appeared since the late 1980s with about 50 solo and group exhibitions in Germany and abroad, e. g. at the Haus der Kunst München, Gemeente Museum Helmond (NL), Galerie Kremer-Tengelmann (Cologne/Gelsenkirchen), NGBK Berlin.