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Graffiti Rock Painting

Chris Hernandez

Poland

Painting, Acrylic on Canvas

Size: 39.4 W x 39.4 H x 0.8 D in

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ABOUT THE ARTWORK
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The painting is part of my Rock Piles series from 2014-15 The works explore the concepts of atrophy and decay, versus order. Or put another way, the concepts of construction versus deconstruction. A pile is a system that can have completely opposite implications depending on the event which preced...

Year Created:

2014

Subject:
Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Poland.

Customs:

Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I am an American painter living abroad in Warsaw, Poland. My work primarily deals with a neutral examination of the concept of change as it pertains to the cycles of construction, deconstruction, and reconstruction. An objective distancing from the process allows one to see that our attitudes toward specific transitions differ according to whether we are outside the situation or within it, and which direction the change is headed. Nature and geography are used to illustrate this, with recurring subjects being, stones, rocks, natural debris, landscapes, and the cosmos. People seek stability in a dynamic universe that is in persistent motion. And while the paintings do not depict a human individual within the work, they do show evidence of human interaction. Many images show man's influence within an environment as an attempt to create sense from nature, chaos, entropy, and even death. As the life cycle of one material ends, new purposes for it may arise and consequently new rebirths. This leaves the viewer free to question what events are taking place and imagine themself within the work as both spectator and participant in the changing forces. Deeper connections are also observed by man's interaction with a continually morphing environment. The land is always changing, and as humans, we are always changing the land. Consequently, the work serves as a playful metaphor for the mutual connection between natural change and a man-made one.

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